Once upon a recent time, I went to Rome to visit a friend.
He took me on a wild ride, starting with the fabulous Palazzo Barberini! Here are the best of my pix from that visit.


Just a modest ceiling fresco to start the visit! Look for the bee, the symbol of the Barberini family, throughout the palace!



Bees, bees, bees!


Above is the lovely man who took me on the wild ride and showed me many familiar and unfamiliar spots all around Rome. He is an enthusiastic, energetic, and most excellent guide and it is my good fortune to have found him!
But let’s focus on the artistic highlights from that day!



As always, I love looking at masterpieces of Italian art, and I most enjoy finding the everyday details from the period that the paintings so often transmit to us, 600 years after they were painted. For example, look at the gorgeous bed, with the hanging curtains and the incredible bedspread. Even the pillows look modern. I wonder if they used the hardest soft version of the pillow like one still finds in Italy today. Probably. Pillows have come a long way from that uncomfortable genre!

Also, look at the detailed feathers in the wings of Gabriel, the angel whose job it is to tell the Virgin she is going to give birth to the Son of God. No small feat. If you were going to imagine feathers on a human-type angel, how would you begin?

Look at the thin, elegant, transparent scarf that wraps around Mary’s wrist and leads the eye down to Gabriel’s hand, which holds the stem of the lily that symbolizes Mary’s virginity and leads the eye back up to the top of the painting. We are in the hands of a master here, without a doubt. Just portraying such a delicate object at all is astounding. But then to use it as a compositional element!


Gabriel’s corona, or crown, is composed of blossoms of pale pink roses arranged in a concentric shape. The forms of the flowers echo his curled hairstyle.

Best of all, at least for me, is the quotidian detail of 2 servants on the far right side. One is ascending and one descending the almost hidden stairway. Their movement and the gestures of their hands convey a sense of excitement from this quintessential moment from the story of Christ. Of course the 2 donors who presumably commissioned the painting are portrayed below, kneeling; but they interest me less than the other details.

Next: the so-called Tarquinia Madonna, also by Fra Filippo Lippi.

Again, it is the details that capture my attention. Her rings!


Her scarf! His gesture!

Her prayer book and jewelry type bookmarks! Below: the artist assigned the date of the painting.

There is much much more to show you in upcoming posts!
Alla prossima!



























































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