with “F” we have lawrence Ferlinghetti

I’ve always loved his last name.  He was born at the beginning of the 20th century to an immigrant couple: his mother was from France and his father from Brescia, Italy.  His father changed the family’s surname to Ferling in an attempt to make them more American.  When the poet known as Lawrence Ferlinghetti was registering for the service prior to WWII, he found out how Italian, how lilting, his family’s original surname was and took it back.  I applaud him for that.  If I had a last name as musical as his, or as Italian, I’d change it in a heartbeat (as it stands, only my first name is Italian).

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Lawrence Ferlinghetti© Soheyl Dahi, 2010

As poet, playwright, publisher, and activist, Ferlinghetti helped to spark the 1950s San Francisco literary scene and the subsequent “Beat” movement. Like the Beats, Ferlinghetti felt strongly that art should be accessible to all people, not just a handful of highly educated intellectuals. His career has been marked by its constant challenge of the status quo; his poetry engages readers, defies popular political movements, and reflects the influence of American idiom and modern jazz.  His City Lights Bookstore was a popular gathering place for San Francisco’s avant-garde writers, poets, and painters.

And for my favorite Ferlinghetti quote:

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Words to live by.

G stands for vincent van Gogh!

Van Gogh is a worldwide favorite painter of all times.

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The reason why is no mystery.  He was a fabulous painter.

Irises at St. Remy Vincent van Gogh

Above are irises in a garden.

Below are irises in a vase.  Personally, I have never had good luck with iris in vases.  They have a very short shelf life.  But I have different aims than Master van Gogh.

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I love this next painting more than all the others.  I like how unusual the viewpoint is.  Di sotto in su in Italian.  Seen from below.

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It is great fun to look at the impasto paint van Gogh used, and to follow his brush or knifework as he laid the paint on the canvas.  It is like putting your feet in his footprints.

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The Letter I just has to be for Italy on my blog! Viva l’ Italia!

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When I was in 5th grade, every student in my class had to write and deliver a speech on a foreign country.  I don’t remember if I chose Italy or if it was just assigned to me.  I don’t remember loving Italy when I lived on a farm in SD.  What I do remember about that speech is that I thought it was fun to organize information to give a talk (uh huh, research beckons in my adult life) and that it was so cool that Italy was shaped like a high boot.  That was the kind of information a kid could hang on to.  It became easy to recognize at least one country in that far away continent known as Europe.  I liked knowing that.

But everything changed for me by the time I was a junior in college.  I had not only discovered the field of art history, but I had discovered in particular the art of the International Gothic artist, the Italian painter, Simone Martini.  When Professor Jack Kunin put a slide of this altarpiece on the screen, I gasped.  I had absolutely never seen anything more beautiful in my life.  Little did I know it, but this painting would give a new focus to my life; that focus has stayed with me for the past 40 odd years.

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The god’s honest truth is that my love for Italy began with Simone Martini’s altarpiece of The Annunciation. Here’s another overall view of this spectacular object.

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Just what is it about this painting that I love so very much?  I suppose the first thing is the use of the gold leaf.  All my life I have loved rich things that glitter.  This altarpiece most definitely glitters.

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Above is a detail of the main section of the painting.  This is the part I love the most.  The altarpiece is known as The Annunciation, for it depicts the very moment when the Angel Gabriel comes to announce to the Virgin Mary that she will give birth to the Son of God.

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In this detail of Mary, we can appreciate the fine level of artistry as Martini has captured not only Mary’s swaying body and her expression of dismay, but you can see the incredible detailed brushwork used to depict the fine golden trim on her sleeves and on the edges of her mantle.

Mary has been reading her psalter, and Martini shows us the book in her left hand, with her thumb marking the spot where she left off before she was so rudely interrupted.

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A hallmark of the International Gothic genre is the use of long, attenuated bodies.  Notice how slender and elongated Mary’s hand and fingers are.  Gorgeous.  If you read my blog you know I love watching ballerinas dance and I love looking at their beautiful, elongated bodies.  I suppose that is why International Gothic paintings make me gasp in wonder as well.

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In the detail above we see Gabriel, who holds an olive branch as a sign that he comes in Peace, has just flown in and stopped quickly in front of Mary.  We know that because the back edges of his drapery are still floating.  I’ll come back to that in a minute.

The vase sitting on the floor between the two figures holds stems of white lilies, which are a symbol of purity, thus perfect as an accoutrement in a painting of Mary.

According to beliefs about Mary and Gabriel, Mary of course was a virgin and remained that way through the conception, carrying, and birth of her Son. The same beliefs assert that the moment of conception was when the words Gabriel spoke reached Mary’s ears.  That is, according to Christian beliefs, the very moment she conceived.  Obviously Martini knew that and is stressing it.  Notice how he made the words Gabriel spoke to Mary stand up in three dimensional form.

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Not only is Gabriel carrying an olive branch, but the same leaves have been used to form his crown.

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Above is a detail of the Holy Ghost, surrounded by cherubim and seraphim in the heavens.  Many artists portrayed the Holy Ghost as a bird.

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Another facet I love about this painting is that Martini depicted Gabriel dressed in a garment lined with Scottish plaid!  I mean, talk about International!  Love that detail.

But, it isn’t just the art I love about Italy.  Check out this landscape.  Have you ever seen anything more beautiful?

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Or this cityscape of Venice.  Bellisima of what?

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And a beautiful door way and a Fiat in Rome.  What is not to love about Italia?!!!!!

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It’s official! The art of the ballet is alive and well in Seattle!

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Yes, indeedy, I attended the full-scale, full-dress, full-on production of Jewels today at the Seattle Center.  Today was another glorious, warm, sunny fall day here, and the Center was awash with people of all stripes.

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Inside McCaw Hall, the orchestra, the minimalist set design, the gorgeous costumes, the incredible corps de ballet, it all came together in a flawless performance of “Emeralds,” “Rubies,” and “Diamonds.”  My heart sang and I got chills from the beauty of it all.

Emeralds:

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Rubies:

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And diamonds:

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If there is a heaven, I hope it looks like this.

This is India

Yes, this is India.  The grounds of one of the many luxurious hotels I had the privlege to stay in.  The places for the “haves.”

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And, this is also India.  Traffic on a modern highway comes to a complete stop because a herdsman is herding his camels down the road.  In scoots a Muslim (the woman wears the hijab) family of 3 on a motor scooter.  This captures the real India. The everyday India.  Both the family on a scooter and the herdsman represent what could be called “the middle class.”  What I mean is this:  if India had a middle class, which it doesn’t, it would have to be comprised of people who own something.  A herd of camels have a lot of value.  A scooter has value.  That means the owners of these two commodities are not beggars and presumably do not live in a slum.

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And here we have another beautiful moment of India.

This one is also India.

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And yet another view of the same beautiful moment.

And, yet, this is also India.  The real India.  The everyday India of the majority of the people.  The “have nots.”  India will break your heart if you let it.  I let it.

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Death, be not proud. You have no beauty.

My beloved sister-in-law, Melinda Kay Grimes, lost her battle with cancer and left us.  I knew Melinda from the time I was about 4 years old.  She is as much a part of me as any other person I have ever loved.  More so really, for we shared so much in our respective love of the arts.  We both loved ballet and loved taking classes in any kind of dance.  She once told me she loved that feeling you get in your leg muscles the day after class, for the soreness meant you were working hard and developing tone and skill.  I didn’t agree, because I don’t like the soreness.  But, whenever I have a sore muscle from dancing, I think of Melinda. But we loved all of the fine arts: music, horticulture, geology, painting, theater.  You name it, we both loved it.

Melinda married my brother Richard Jones in 1963 and I was their 10 year-old-flower girl at the old Episcopal Church on Capitol Avenue in Pierre, SD.  Here is my happy family on that fantastic August Saturday afternoon.  I was too shy to drop many petals down the aisle, but we redid it after everybody left the church and had a lot of laughs.

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I’ll miss you every day for the rest of my life, Melinda.  I shall never forget you. How could I?  I adored you and you are part of me. It was my privilege to know you for 55 years and to call you sister. Love. Thank you for letting me be your flower girl.  It was the highlight of my childhood.

It’s time for a little ballet!

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If you’ve ever wondered about the feet and/or slippers of a ballerina, check out this video.  It will make your feet ache.

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The Pacific Northwest Ballet company has started its 2014-15 season off with a bang.

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George Balanchine, co-founder and founding choreographer of the New York City Ballet, created “Jewels.” It premièred on Thursday, April 13, 1967, at the New York State Theater.  Considered the first abstract ballet, since it has no story, it has three related movements entitled “Emeralds,” “Rubies,” and “Diamonds.” Each movement is set to the music of a different composer:  Gabriel Fauré,  Igor Stravinsky, and Pyotr Ilyich Tchaikovsky respectively.

The first act or gem in the Balanchine suite is the emerald, which just happens to be my favorite jewel on this planet. With this dance, Balanchine said he meant to capture the essence of French culture.

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I love an unexpected view on anything, including ballet.

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I’ve been lucky enough to attend two rehearsals recently, one dress, and, at the other one, I was able to sit 10 feet away from the renowned dancer, Edward Villella, who I used to watch on television as I was growing up. Mr. Villella was here to coach the dancers set to perform the “Rubies.”  It is amazing to consider the direct connection this provides for PNB dancers, for Mr. Balanchine had Villella in mind as he composed that dance.

Here is a photo of the handsome Mr. Villella.

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And here he is in “Rubies” back in the day.

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Balanchine intended for “Rubies” to evoke American culture, with its syncopated rhythms.

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And, here is Villella in another dance, his outstanding abilities immediately apparent.

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And now, for “Diamonds.” Below is a video of two of the PNB dancers in rehearsal for it.  I love watching a rehearsal even more than the finished ballet.  It makes me see the skills these incredible dancers possess. The final product is enjoyable as well, of course, but there is just something immediate and wonderful about seeing a rehearsal!

And now for some stills from “Diamonds.” The pas de deux.

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The prima ballerina.

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Pirouette right on over to the Seattle Center asap to catch this beautiful performance of “Jewels!”

American Art: Mary Cassatt

get back, laurettadimmick's avatarget back, lauretta!

American Art: Mary Cassatt

How do I love you, Mary Cassatt, let me count the ways.

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I love your paintings of mothers with their children.  The mother’s glance, the child’s expression, both seem so spontaneous, so momentary.  However did you capture that in oil, which takes so long and is so painstaking?

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I adore your portrait of your mother reading Le Figaro in your Paris garden.  What can I say, I can see your affection for her.

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I am bewitched by  your striking, elegant woman at the theatre. Your beautiful canvas is layered by your humor, as you present her being spied upon by a man, perhaps an admirer?  In your composition and color palette, I can see how much you admired the paintings of your friend, Edgar Degas.

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I am very fond of your images of infants at the bath. You sure don’t take the easy way out when it comes to…

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