This is the 2nd half of my post of picturesque Livorno, started yesterday.
Oh, how I wish I were able to be upon that boat in the video above, making its way through the canal!
Below, I am leaving the Venice section of the city and headed to the place where the town meets the sea.
Livorno is a huge and thriving port. There aren’t many cruise ships now, thanks to Covid, but I have no doubt they will be back. In the meantime, I really wanted to get on the yellow ship, bound for Sardegna. Maybe next summer, I hope.
Check out these bright orange and yellow buildings! The colors stuccoed onto buildings in Livorno are much stronger than the golds and ochres I am accustomed to in Florence. I like it!
Another look back at the canals in the city:
So, then there is the historic “mercato centrale.” Wikipedia and I agree that this is one of the most interesting buildings in Livorno.
“It is one of the most interesting buildings in Livorno from the second half of the nineteenth century, greatly influenced by the great developments in iron and glass architecture.
“In Italy, the post-unification years were characterized by a campaign for the reorganization of services which also affected Livorno. Here, after a first conversion of buildings acquired in the state property, a more consistent commitment was made thanks to the push of the mayor Nicola Costella, and important public works were built: among these, the most impressive was the Food Market, designed by Angiolo Badaloni.
“The area chosen for the construction was inserted in the city center, along the Fosso Reale, in the area once occupied by the complex Medici fortified system and subsequently by an arena for daytime shows. The works began in 1889 – 1890 and quickly ended in 1894; at the time, however, there was no lack of criticisms related to the size and cost (about 4 million Lire ) of the work.
“It should be remembered that, according to the stories of the Livorno painter Filippelli, around 1909 the famous Amedeo Modigliani, returning from Paris, rented a large room in the upper floors of the building of the Market, at the corner of Via Gherardo del Testa, and carved some stone sculptures of heads. On his return to France, it is said that these works were thrown into the Fosso Reale ditch which, in 1984, was the scene of the famous discovery of some fake heads, made by some young people from Livorno.”

The Mercato Centrale from a distance. 
This humble, hand-written sign speaks volumes.

























































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