
read more about it at: http://www.theflorentine.net/lifestyle/2018/07/5-curious-facts-florence/
We chose Livorno as our Sunday getaway. Livorno is a bustling port town and the 2nd largest city in Tuscany. We were lured by its history and its unparalleled seafood.
Livorno, not so well known outside of Italy, boasts a picturesque system of canals, an authentic urban character, an attractive waterfront along with a fine collection of historical and cultural sites.
But the main advantage for us was that we had Francesca with us, a lovely woman who lived in Livorno when she was growing up. We had our own personal tour guide! She guided us here and there and took us to an outstanding restaurant, but I’m getting ahead of myself.
We started here: a monument to the Medici family (they were everywhere in Tuscany) with 4 Moors depicted on the lower level. I show it here with 2 sweet sisters and good friends (of each other and of me). We were ready for an adventure!


Sketching this monument was a local painter:

I thought he was very able, here’s his start above and below:

The painter is a colorful local with a lot of painterly skill. Pay attention to his sketch because we will come back later and see how far he got.

We boarded a boat for a watery tour of Livorno. The barca took us through and around the city, including the most picturesque quarter of Livorno, the Venezia Nuova, aka “Little Venice,” with its canals, arching bridges, and ornate merchant palaces.

This city is simply unique, rich in history, and built upon the water by Venetian engineers who were hired to carry out a Medicean dream. Cosmopolitan Livorno was full with rich merchant palazzi during the 17th & 18th centuries. Merchants from all over the world arrived in Livorno, all of whom wanted to get in on what was a very lucrative trade.
These merchants petitioned the Grand Duke to grant them space to construct palaces and warehouses in order to furnish the port with an almost endless supply of provisions and luxuries. By the 17th century, Livorno was becoming one of the most important ports in the Mediterranean.
A 19th-century map of the city.
The canals of Livorno were constructed over waters reclaimed from the sea north of Livorno between 1629 and 1700.


Protected from the west and east by its two Medicean fortresses, we glided in our boat through the many sectors of the city, a once rich city which had become the coffer of the riches of all the world.



The Medici fortified the city and its water lanes with these massive walls.


“New Venice” was very much admired by intelligentsia and aristocrats on the 18th century “Grand Tour.” That atmosphere lingers today, with canals, shops and cellars on the water, and an architectural system tailor-made for commerce.

Gliding through the man-made canals, we saw evidence of the old artisanal traditions of the boatmen, sailors, barrel-makers, and porters who lived, worked, and traded secrets in “Little Venice.” We heard many stories, and became acquainted with Livorno’s lively and charismatic inhabitants, among whom were smugglers and pirates in the pay of the Grand Tuscan Dukes. Inside these palazzi, the city’s rich merchants and noblemen rubbed shoulders with the Grand Dukes, and, often, other random members of European aristocracy.
On the water we passed under the shadow of the octagonal dome of the church of Saint Catherine of Siena, which for 3 centuries has graced the Livornese skyline. We also saw the entrance of the so-called “New Fortress” of Livorno, an island completely surrounded by the city’s principal moat and canal, the Fosso Reale, and last remnant of the 5 original bulwarks of this fortified city, the famous pentagon of Bernardo Buontalenti.
source: https://www.livornotour.com/senza-categoria-en/la-piccola-venezia-toscana.php?lang=en
Livorno is also the home of Casa Modigliani, the birthplace and childhood home of Amedeo Modigliani. The Museo Fattori, Livorno’s art museum, contains artwork from Modigliani and 19th century Italian Impressionists. I am sad to report that we didn’t look at any of the many interesting museums. It was a Sunday and we were on holiday! We wanted to stay out doors and enjoy the city and the coast, not go inside a darkened space.

Santa Caterina church ahead on left.




Above is the 19th century mercato centrale. It reminded me of the same type of structure in Florence.

Our boat ride lasted about an hour, and took us under the Piazza Repubblica, along the canals, to the harbour of the fishing boats, the harbour of the yachts, as well as past the fortress.
It was a beautiful way to enjoy a fascinating city. I am looking forward to returning to this intriguing place, which so often lives in the shadow of other Tuscan known cities. I’d like to return in the fall or spring, or even the winter, because the height of summer is a brutal time to visit.

Here we are, roasting in the heat!

N. tried to keep Free (that’s his name, in English!) cool, but it was a losing battle.

Walking back to the car after the marina, we passed the artist and here is the sketch:

He had made a lot of progress and I tried to buy the sketch, but he said it wasn’t for sale because it wasn’t good enough. No matter how I protested, he wouldn’t give. He was in the process of loading up his supplies because it was just too hot and I thought he might like to lighten his load. No go.
After the boat ride and a drive along the lengthy waterfront, we settled in at a ristorante chosen by Francesca for a long, leisurely lunch. It’s Sunday and we’re in Italy, so of course it will be a long, leisurely lunch! That’s what they do best here!
This was the view.


This was the food: A small plate (ha ha) of mussels for antipasto.

A pasta of spaghetti vongole veraci for pasta. Grilled fish for main.

When you put 2 or more Italians into the same space, you’ve created a party. This charming gentleman joined our lively lunch. He lives near Livorno and worked for 40 years for Coca Cola company. He loves America and Americans. He was sweet, can’t you just tell from his beautiful face?


Much later on, it was time for le dolce. We tried a few. I started this course with a limone sorbet served with vodka:

We ordered a torta della nonna, which despite being called a cake is more like a cream pie. The pastry was delicious, like a shortbread, and there was a vanilla creme patisserie in the center, plus pine nuts and powdered sugar on top. We had to have a 2nd piece brought to the table. Here’s a recipe if you are inspired (you can translate with Google Translate):
https://www.tavolartegusto.it/ricetta/torta-della-nonna-la-ricetta-perfetta/


Some members of our party skipped the torta and went straight in for the gelato.

All the while I looked towards America. Can you see it? Way over there to the west? Hi America! I’m worried about you.



After a couple of hours, out party had expanded like so:

And so:




As I was leaving the restaurant, I took a couple of shots of dolce I want to try in the future at this locale:


Below: profiteroles smothered in chocolate.

And no, the day wasn’t finished.
Next we drove to Montecatini, which has both lower and an upper versions. You start in the lower level and ride the funicular up the the side of a mountian. Charming beyond words is the station, built in 1898, and the cable cars with their wooden seats.

And yes, here we go, up this mountain side. The picture lacks the drama of the real ride.

Once we arrived in Alto Montecatini, I was bowled over by yet another amazing little hilltop Italian village. Each one has its own flavor, but they all go into the category of “wonderful.”



This castle looking structure is the movie theater!!

Table set for dinner:

Random beauties:










Free had cooled off and now was enjoying his stroller. He is as sweet as he is cute!

What a perfect day!
I was in Fiesole this morning, to catch a breath of fresher, cooler air than at home in Florence and also to see a Medici Villa. I had an appointment to see the grounds of the Villa Medici at Fiesole; the villa itself can’t be visited as it is a private residence.

Can you see the tiny Duomo of Florence over the red geraniums, right in the middle?
This is a view you would have of Florence if you were a Medici.

It’s a pretty well-known fact that Florence tends to get a little hot in the summer. That is actually an understatement. Today it was 33 Celsius, with is pretty darn hot.
It is cooler in Fiesole, high above on the hills north of Florence. That is why the Medici had this villa constructed.

Located on the via Beato Angelico 2 stands one of the oldest villas belonging to the Medici family, the 4th, after the 2 villas in Mugello (Cafaggiolo and Il Trebbio) and the Villa at Careggi. Sometimes called Belcanto or the Palagio di Fiesole, this villa is among the best preserved of the many Medici villas, but at the same time it is also among the less well-known.
Here is a Google earth view of the Villa.



The villa was built between 1451-57. The site was obviously chosen for its panoramic views, despite the fact that the site is on a very steep slope. It was necessary to make a large terrace, to support the palazzo, the out buildings and the vast gardens.

Villa Medici at Fiesole by Michelozzi in 1460


Michelozzo was not bound by pre-existing buildings and built a sober quadrangular palazzo which was whitewashed and had windows framed by stone cornices. Large open galleries, with incredible views of the landscape, were a main feature of the design.

Here are some views of the main loggia at the front of the palazzo.





You know you are in Medici country when you see the coat-of-arms with the Medici palle in a prominent position within the loggia.

This villa was very different from previous Medici villas: it is much more open to the outer world than any previous villa, and it has no central courtyard.
There are no defensive-military components, meaning there are no turrets, no elevated walkways supported by corbels, or any moats.
The formal and functional innovations of the villa in Fiesole revealed new aesthetic values; including, above all, a new attention to the landscape and the visual domain.
Likewise, the agricultural and productive components of villa design were essentially elminated, in favor of a total dedication to leisure and physical activity that favored contemplation and intellectual activity.
It was, in fact, the first time that a rural residence had only a garden, instead of being surrounded by an agricultural estate.
These factors, combined with the lack of military structures, are the significant characteristics that make this villa one of the clearest prototypes for later Renaissance villa design.

Amazingly, we have a contemporary Renaissance-era view of the villa, as depicted in this fresco by Domenico Ghirlandaio in the Cappella Tornabuoni at the church of Santa Maria Novella, painted between 1485 and 1490. Art historians live for moments like this. It is very rewarding to have a painted picture to give us an idea about how the villa originally looked and it is just plain fun to have such a record of an extant Renaissance building.

The Villa Medici is linked to one of the most dramatic events of the Medici family history: the Pazzi Conspiracy (1478), when some members of the Pazzi family, along with Francesco Salivate and Cardinal Girolamo Riario, and supported by Pope Sixtus IV, designed a plot to get rid of what they considered to be the increasingly oppressive growth of the power of the Medici within the Florentine Republic.
Originally, the plan was to kill the two scions of the Medici family, Lorenzo and Giuliano, during a banquet organized at this Medici Villa at Fiesole on April 25, 1478, through the use of poison that Jacopo de’ Pazzi and Cardinal Riario would surreptitiously place in the drinks meant for the two brothers.
The plot was foiled when Giuliano became suddenly ill. The dinner was canceled and made the enterprise useless. Undiverted from their aim, the murderers were postponed until the following day, during the Mass at the Florence Cathedral. Of course, we know that while Giuliano was killed, Lorenzo was able to save himself by bolting himself into the sacristy.
It is so interesting to walk around the palazzo and out buildings, thinking about the history that happened here, and who was walking these paths 500 years and more ago. That is not to even mention the connected gardens, about which I’ll be writing a separate post soon.
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You’ll need an hour to watch this, but it is well worth it.
When looking through a photograph album at the Alinari archives, I was shown this photograph of the Duomo in Florence taken sometime before 1874 when the album was created.


When you zero in on the facade of the Duomo, things get very interesting. Instead of the brightly colored and highly embellished facade on the cathedral that one sees nowadays in Florence, this photograph reveals that the facade was left unfinished and unembellished after the Renaissance.

The following photo, of the Duomo today, shows the facade that was added to the building in the 1870s.

On one of the beautiful hills surrounding Florence sits this masterpiece of Italian Gothic architecture. It is perfect. Here are some pictures taken last winter. I’m a little late in getting posts written!


Not only is the hike to the church worthwhile, but the views of lovely Florence are breathtaking as well.





If you were a young, aristocratic European man in the late 18th through 19th centuries, you might well have taken a Grand Tour. After finishing your formal education, you would take a kind of gap year (or year and a half), traveling to and through the finest European capitals, including, in Italy, cities such as Venice, Milan, Florence, Rome and Naples.

You might have asked Alinari Brothers or another similar firm to create an album for you, comprised of their photographs of your favorite places. The Fratelli Alinari archives in Florence have many of these albums in their archives, and I had the opportunity to look at one of them from 1874.
It begins with a hand-tooled red leather cover. The book measures roughly 20 x 30 inches.


The Frontispiece reveals that this album was created in Naples, by the Giorgio Sommer firm.


This particular album begins with photographs of Torino, Milano, and Venice, as here:

This album then moves to Firenze, and here are 3 images from this section of the book:



Next, the book moves on visually to Rome. Here is a picture of oxen pulling carts through the Roman forum.

Then it was on to Naples. The following is a picture of Mt. Vesuvius erupting in 1872.

I could (and will) spend hours looking through these albums!
According to my guide at the Alinari archives, an album like this would have cost a young gentleman about $1500 in today’s money.
Today the string of palazzi that line the south side of the Arno River just west of the Ponte Vecchio looks like the picture below. Pay special note to surviving bellower of the church San Jacopo sopr’ Arno in the foreground.

And now here’s a vintage photo of the same area, with a string of older (much) palazzi.

Ponte Vecchio e dietro le case dì Borgo San Iacopo.
In comparing the 2 photographs you can see that the palazzi have been replaced. The entire area was destroyed by German explosives in 1944 as they were being driven out of Florence by the Allied Forces. The newer structures are about 75 years old now.
This church, San Jacopo sopr’ Arno, is very interesting as well:

If you want to learn more about this old church that lies between the Arno and Borgo San Jacopo, here’s a good source: https://wikivisually.com/wiki/San_Jacopo_sopr%27Arno
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