I love your funny face!

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Three years after her fabulous performance with Eddie Albert and Gregory Peck in the 1953 hit, Roman Holiday, Audrey joined forces with Fred Astaire to star in Funny Face.  This time the backdrop was Paris.  Not bad, eh?  First Rome and then Paris.  A good life for sure!

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Actress Kay Thompson, well-known author of the Eloise series of children’s books, joined Audrey and Fred in the production. Here’s a still of Miss Thompson in a great set using the hot colors of the late 1950s, pink and gray:

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The film was enhanced by the contributions of famed photographer Richard Avedon who designed the opening title sequence and consulted throughout. In fact, Astaire’s character in the film is a still photographer named Dick Avery, based upon Avedon. Here’s a picture of the photog.

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And here are a couple of famous shots he took of the luminous Miss Hepburn for Funny Face:

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Avedon supplied some of the still photographs used in the production, including its most famous single image: an intentionally overexposed close-up of Miss Hepburn’s face with only her famous eyes, eyebrows, nose and mouth. It is still recognizable as Audrey.

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Here’s how the famous still was used:

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Hepburn was actually Avedon’s muse in the 1950s and 1960s, and about her he said “I am, and forever will be, devastated by the gift of Audrey Hepburn before my camera. I cannot lift her to greater heights. She is already there. I can only record. I cannot interpret her. There is no going further than who she is. She has achieved in herself her ultimate portrait.”

Of course Miss H got to show off some of her famous dance skills in the movie:

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Including dancing with Mr. Astaire:

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Edith Head was again, as in Roman Holiday, responsible for the overall look and fashions Miss Hepburn wears in Funny Face.  Here is Miss Head with some of her sketches.

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This sketch provided the inspiration for the dress worn in the famous Avendon shots with Audrey and the balloons.

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The divine Miss Hepburn also wears sumptuous gowns designed by Hubert de Givenchy as below:

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Funny Face

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There is a silly plot involving the photographer Dick Avery and the bookstore intellectual turned model, Jo Stockton, played by Miss A.

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The fictional photog and model fuss and fume:

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And then they potentially marry:

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To find out if they do marry, you’ll have to watch the film! Here is a clue.

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There is a superfluous number called “think pink” that is a lot of fun:

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And of course the city of Paris plays a role as well. Here are two shots of Audrey set off by the River Seine.

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And even the Louvre and the famous Victory of Samothrace play a role in the gorgeous film.

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The entire extravaganza is a lot of fun to watch!  Just go and see!

Hola muchachos! Today I am feeling Flamenco!

I am thrilled to be out from under that alphabet.  Whooda thunk running through 26 letters could be so onerous!  Not I.

So, I feel like something different for absolutely no good reason!

Let’s head to Spain!  Ole!

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The first thing you need is music.  Let’s look at a handsome guitar player.  Very nice!

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Then you get a talented, beautiful dancer or two.  Next, you sit back and prepare to marvel at the experience this visual glory!

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Paco Pena and the flamenco dance company.

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I took all of the following pictures a few years ago when I was in Spain to celebrate a birthday. Nights of flamenco in Sevilla and other nights of fado in Portugal, while drinking vinho verde, all of this was muy fantastico!

It was hard for my camera to focus, because the dancers move so quickly.  I actually like the blurry images and the fact that the pictures are out of focus.  It fits the dance.

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And then, if we are talking flamenco, which we are, I must include my favorite John Singer Sargent painting of all: El Jaleo.

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I can hear the guitars and the castanets!

Addios!

It’s official! The art of the ballet is alive and well in Seattle!

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Yes, indeedy, I attended the full-scale, full-dress, full-on production of Jewels today at the Seattle Center.  Today was another glorious, warm, sunny fall day here, and the Center was awash with people of all stripes.

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Inside McCaw Hall, the orchestra, the minimalist set design, the gorgeous costumes, the incredible corps de ballet, it all came together in a flawless performance of “Emeralds,” “Rubies,” and “Diamonds.”  My heart sang and I got chills from the beauty of it all.

Emeralds:

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Rubies:

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And diamonds:

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If there is a heaven, I hope it looks like this.

It’s time for a little ballet!

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If you’ve ever wondered about the feet and/or slippers of a ballerina, check out this video.  It will make your feet ache.

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The Pacific Northwest Ballet company has started its 2014-15 season off with a bang.

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George Balanchine, co-founder and founding choreographer of the New York City Ballet, created “Jewels.” It premièred on Thursday, April 13, 1967, at the New York State Theater.  Considered the first abstract ballet, since it has no story, it has three related movements entitled “Emeralds,” “Rubies,” and “Diamonds.” Each movement is set to the music of a different composer:  Gabriel Fauré,  Igor Stravinsky, and Pyotr Ilyich Tchaikovsky respectively.

The first act or gem in the Balanchine suite is the emerald, which just happens to be my favorite jewel on this planet. With this dance, Balanchine said he meant to capture the essence of French culture.

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I love an unexpected view on anything, including ballet.

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I’ve been lucky enough to attend two rehearsals recently, one dress, and, at the other one, I was able to sit 10 feet away from the renowned dancer, Edward Villella, who I used to watch on television as I was growing up. Mr. Villella was here to coach the dancers set to perform the “Rubies.”  It is amazing to consider the direct connection this provides for PNB dancers, for Mr. Balanchine had Villella in mind as he composed that dance.

Here is a photo of the handsome Mr. Villella.

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And here he is in “Rubies” back in the day.

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Balanchine intended for “Rubies” to evoke American culture, with its syncopated rhythms.

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And, here is Villella in another dance, his outstanding abilities immediately apparent.

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And now, for “Diamonds.” Below is a video of two of the PNB dancers in rehearsal for it.  I love watching a rehearsal even more than the finished ballet.  It makes me see the skills these incredible dancers possess. The final product is enjoyable as well, of course, but there is just something immediate and wonderful about seeing a rehearsal!

And now for some stills from “Diamonds.” The pas de deux.

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The prima ballerina.

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Pirouette right on over to the Seattle Center asap to catch this beautiful performance of “Jewels!”

V is also for Edward Villella.

Last week in Seattle I had the incredible opportunity to sit a mere 10 feet away from the famed ballet dancer, Edward Villella (Italian heritage, don’t you know?).  He was here to coach the PNB dancers for their upcoming performances of “Rubies” from the Edward Balanchine suite of “Jewels”.  Balanchine had Villella in mind when he composed “Rubies.”  Here he is in a couple of vintage photographs from “Rubies.”

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I’ve met a lot of celebrities over my lifetime, but, for some reason, being in the close orbit of Mr. Villella for 30 minutes last week was very exciting!  I suppose it is because seeing him takes me back to my childhood, when I would watch recordings of this magical dancer on television.  Here’s a great shot of il divo (the master dancer).

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He seems like a very nice man as well as a famed dancer!  He still has a great physique and seems like a gentle man.

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