Verrochio, Renaissance master

I have always loved the sculpture of Verrochio (1435-88).

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And, since there’s currently a fabulous exhibition in Florence featuring some of the master’s work in painting, sculpture, and work in gold, I think it is high time I wrote a post on him here.

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The exhibition, “Verrocchio, Master of Leonardo” can be seen from now until mid-July at the Palazzo Strozzi.

The show was organized by Fondazione Palazzo Strozzi and the Musei del Bargello in collaboration with the National Gallery of Art, Washington. The curators are Francesco Caglioti e Andrea De Marchi; both are leading experts in the art of the quattrocento.

This major exhibition showcases over 120 paintings, sculptures and drawings from the world’s leading museums and collections, including the Metropolitan Museum of New York, the Musée du Louvre in Paris, the Rijksmuseum in Amsterdam, the Victoria and Albert Museum in London and the Gallerie degli Uffizi in Florence.

The exhibition, with a special section at the Museo Nazionale del Bargello, brings together for the first time Verrocchio’s celebrated masterpieces and most important works by the best-known artists associated with his workshop in the second half of the 15th century, such as Domenico Ghirlandaio, Sandro Botticelli, Pietro Perugino and Leonardo da Vinci.  Leonardo was his most famous pupil, and the exhibition reconstructs Leonardo’s early career and interaction with his master, thanks to outstanding loans and unprecedented juxtapositions.

This year is a big one all over the Italian cultural scene, for it marks the 500th anniversary of Leonardo’s death. The Strozzi exhibition is, moreover, the first retrospective ever devoted to Verrocchio.

At the same time the exhibition explores the early years of Leonardo da Vinci’s career,  providing an overview of artistic output in Florence from roughly 1460 to 1490, which just happened to be the age of Lorenzo the Magnificent.

Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece.

Little is known about his life. His main works are dated in his last twenty years and his advancement owed much to the patronage of Lorenzo de’ Medici and his son Piero. His workshop was in Florence where he was a member of the Guild of St Luke. Several great artists like Leonardo da Vinci and Lorenzo di Credi passed through his workshop as apprentices; beyond this, artists like Domenico Ghirlandaio, Francesco Botticini, and Pietro Perugino were also involved and their early works can be hard to distinguish from works by Verrocchio.

At the end of his life he opened a new workshop in Venice where he was working on the statue of Bartolomeo Colleoni, leaving the Florentine workshop in charge of Lorenzo di Credi. He died in Venice in 1488.

So, okay, as a life-long art historian, I can’t seem to break the habit of providing lots of context.  But, let’s leave that now and look at some of the beautiful work by Verrochio.

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Rare footage of Monet, Degas, Renoir and Rodin

 

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Rare Film of Monet, Renoir, Rodin and Degas
Fine art enthusiasts will appreciate these fascinating 100-year-old film clips of four of the most celebrated artists in history; Claude Monet, Pierre-Auguste Renoir, Auguste Rodin, and Edgar Degas. In 1915, with the newly innovated film camera, a young Russian-born, French actor named Sacha Guitry captured some of France’s greatest artists and authors.

Le Marais, Paris, partie un (1): Place des Vosges

Behold Le Marias!

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This famous district began its life in the history of Paris as the home of the king and the capitol city’s many aristocrats.  Le Marais spreads across parts of the 3rd and 4th arrondissements in Paris, on the Rive Droite.

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Today Le Marais is enjoying the latest of its many incarnations as the trendiest shopping district in Paris with the top stores in Rue des Francs-Bourgeois and Rue des Rosiers. The most famous stores are BHV Marais, Merci, and Uniqlo Le Marais.

From the 13th century forward, Le Marais was developed as the French nobility’s favorite place of residence. Things reached a crescendo in 1605 when King Henri IV of France built Place Royale (today called the Place des Vosges), and subsequently French nobles built their urban mansions, or hôtels particuliers, such as the Hôtel de Sens, the Hôtel de Sully, and the Hôtel de Beauvais, throughout the district, so they could be near the seat of power.

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The Royal Square is also notable because it was the oldest planned square in Paris.  Comprised as a true square (140 m × 140 m), the Place embodied the first European program of royal city planning.

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One of the many new aspects about the Place Royale in 1612 was that the house fronts were all built to the same design, probably by Jean Baptiste Androuet du Cerceau.

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The facades are all composed of red brick with strips of stone quoins over vaulted arcades that stand on square pillars. The steeply-pitched blue slate roofs are pierced with discreet small-paned dormers above the pedimented dormers that stand upon the cornices.

 

 

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One section of the square’s 4 long vaulted arcades:

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This section of the arcade is the home to this small but fine art gallery:

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This section of the arcade is also home to one of the city’s most exclusive restaurants. Our guide told us that Michelle and Barack Obama were taken here during their state visit. He promised us that they won’t let Trump come there…just checking to see that you are still reading my text!

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Le Marais is the closest you will get to the feel of medieval Paris and has more pre-revolutionary buildings and streets left intact than any other area in Paris. A glance at some of the beautiful buildings and houses indicates the wealthy status of the former residents. After the French Revolution, much of the area was abandoned by the rich, and poor bohemian types moved in.  You should keep in mind that before Napoleon showed up the Marais is what most of Paris looked like— a labyrinth of cobblestone alleys.

The rest of Paris was razed by Napoleon and Haussman who wanted to build huge avenues and gigantic squares such as the Place Concorde. These are now the glory of Paris, but they were originally conceived so that armies and artillery could be moved around the city to keep the poor in check and defeat invaders.

On a more metaphysical level, the purpose of such broad space is to make the citizen feel small and powerless when faced with the giant civic machine of government, or an obedient army. In the Marais we are privy to the small and approachable Paris of the past, the place to wander in maddening circles and never find your way, the place to hole up and read Sartre or Camus in a café window or watch the Parisian life go by.

The Marais is also the most famous Jewish quarter in Paris and in much of Europe, still maintaining strong traditions.

The area was considered so squalid at this point it was nearly destroyed by city officials who wanted to modernize Paris. (A huge avenue cutting through the center of the Marais was only avoided by the start of WWI.) Fortunately, Le Marais was one of the first areas in Paris to establish very strict preservation laws. Beginning in the 1960’s, efforts have been made to restore and preserve the façades of historically important (in the case of The Hotel Albert for instance) and typically Parisian (in the case of charming early 20th-century boulangeries for instance). That’s why in this neighborhood, you’ll see bars with Boulangerie signs and a Nike store that looks like a bookstore from the outside.

 

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Christmas Day, Champs-Élysées, Paris. 2018

Christmas afternoon on the Champs-Élysées. Sunny and chilly.  Perfect winter day in the perfect city!

 

 

 

Random things that struck me, found on the Champs-Élysées:

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One of the most charming aspects of Christmas in Paris to me is all the hand-painted decorations on the store windows.  Some are really graphic and cool like this one:

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But more of them are really sweet and old-fashioned, like the next bunch:

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Okay, back to the fun holiday decorations and great architecture of the Champs-Élysées:

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The next set of pictures are of what is to me the most beautiful building on the Champs-Élysées.

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Other striking aspects of the Champs-Élysées:

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And, finally, I’ll close this post because this is already so long.  But, before I do, pictures of some of the cool advertising I saw in the subway on my way to the Champs-Élysées:

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Oh, and P.S.: here’s a very cool old picture of the layout of this area from the point of view of the Arc de Triomphe.  The Eiffel Tower hadn’t even been dreamed of yet!

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Verona, Italy in December

What a lovely small city is Verona.  I understand why Shakespeare chose it as his setting for Romeo and Juliet!

I had the good fortune to spend a few days in Verona recently and the city was all decked out for Christmas.

To begin, here is our home away from home, with a beautiful terrace next to the Adige River.  A large persimmon (cachi in Italiano) tree attracted many local ucelli!

 

Here are some of my favorite pictures:

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L’amore materno–Mother Love

 

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I love a decorative octopus!

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Check out the foot still attached to this prosciutto!  OMG!

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Verona’s magnificent Duomo below:

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The apron front of the facade reminded me of church architecture in Lucca.

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The altar below is painted and has matching sculptures in front.  I’d never seen anything like this before.

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The altar below beckons from across the church.  Such lavish gold, again, I’ve never seen anything quite like this and I’ve seen a lot of altars in my day.  I love that Italy is always surprising me.

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See what I mean below:

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The ubiquitous December creche scene: the figure of the baby Jesus will not appear until midnight of the 25th.

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I guess the placard below is for those sinners who don’t remember or know how to confess.

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These pictures are from the interior of the duomo in Verona.  It is a beautiful church.  Verona was obviously a wealthy city during the Renaissance and after, as it still is today.

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I’ve looked at a lot of paintings in my day, but I’ve never seen such a foreshortened putto flying in from this angle, to crown with laurel the knight in armor.

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While this sculpted doorway below looks to be monumental, it was actually at my eye level on a wall in the duomo, and measured about 12 inches tall.

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Back out in the lovely streets of Verona, I admired this art nouveau wrought iron in a window.  It’s unusual for Italy and I love it.

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Below is the gorgeous facade of the duomo.

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There are Roman ruins on the hillsides in Verona.  I took this picture to remind me of this new (to me) fact: I want to go back and see more of the town.

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The facade below is getting some TLC.

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Walking along on the sidewalk along a wall, there are death notices posted.  I find these fascinating.

 

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Flower shops are magnets to me:

 

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I am obsessed with this crystal lamp with the red tassels.  Obsessed.

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Obsessed I tell you!

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Finally, the end.  A shout out to my girl, Jenny, for being an awesome traveling companion.  More to come, I am sure!

Oh, and p.s., I have a few more Verona posts coming, including Giardino Giusti.  Watch this space!