It is a sacrilege. What they have done with your good name….I shudder for you!

It is a sacrilege. What they have done with your good name….I shudder for you!

I was fortunate enough to see the newly-released film, Bernini, in the Odeon Theatre in Florence this week. OMG, it is fantastic.

The director of this beautiful guided tour through the Villa Borghese in Rome was directed by Francesco Invernizzi; Anna Coliva, Luigi Ficacci, and Andrea Bacchi are key presenters. Titolo originale: Bernini. Genere Documentario – Italia, 2018.

From the movie release, we are informed: La selezione di oltre 60 capolavori in esposizione alla Villa Borghese di Roma è stata definita dagli esperti di arte come il ritorno a casa di Bernini. A cinque secoli dalla nascita dei maestosi gruppi scultorei dell’artista, attraverso riprese inedite ed esclusive, i protagonisti di questa grande Mostra raccontano ed analizzano i dettagli delle opere giunte dai più prestigiosi musei del mondo per questa straordinaria occasione.
The selection of more than 60 masterworks on exhibition at the Villa Borghese in Rome has been defined by experts as a return to the home of Bernini. Five centuries after his birth, we appreciate the majestic sculptural groups Bernini created, through the unprecedented and exclusive shots. Experts of this great exhibition recount and analyze the infinite details of the sculpture, with Bernini works borrowed from the most prestigious museums in the world for this extraordinary event.

“No artist defined 17th-century Rome more than Gian Lorenzo Bernini did, working under nine popes and leaving an indelible mark on the Eternal City. And there is probably no better place to appreciate his talent and genius than the Borghese Gallery in Rome, the villa — now a museum — built by his first patron, Cardinal Scipione Borghese, where Bernini revealed his talent for capturing tension and drama in stone. But during the remarkable exhibition titled “Bernini,” visiting may be a once-in-a-lifetime experience.” The New York Times


Della Oake is wearing organdy blouse with voluminous sleeves and long slim satin skirt by Schiaparelli, 1951.


Every woman has a Marilyn side. At times Monroe. At times Manson.

Map by Piero del Massaio, showing Firenze in 1472.
It finally happened. I snapped, and needed to get to the asylum asap!

Actually, I’m kidding. But for a while yesterday I thought I might lose my marbles. I was joining a very sophisticated Florentine educational institution for a guided tour of the old grounds of Florence’s historic psychiatric hospital and it seemed as if fate was against my plan. (Maybe she thought they would keep me if I got there?). It took 2 buses and a taxi to get me to a place I could have walked to easier and faster. I made it just in time to join the tour. Live and learn; next time I’ll walk.
So, the place: as you can see in the plaque above, I was about to enter the Manicomio di Firenze, ospedale psichiatrico. Founded by Vincenzo Chiarugi, the psychiatric hospital was opened in 1890 (an earlier hospital was on Via San Gallo).
Almost 100 years later, in 1968, this hospital located on Via di San Salvi #12, was shuttered. The city has been attempting to refill the site with various cultural and non-profit organisations ever since. It would be a shame not to use this large campus, composed of 32 hectares and housed in 20 buildings, for something. It is prime property on the outer eastern edge of the city. You can find it with the big red pin below:

Below is a map of the San Salvi grounds, showing how the buildings are laid out and a key to how they are/will be used:



Here’s how the guided tour was advertised to an erudite audience:
“Come with us to walk along the tree-lined avenues of (hospital) San Salvi, a unique place immersed in the city and at the same time quite isolated. Here, in what was once a very active psychiatric hospital– the “crazy” poet Dino Campana was here for a while–as well as important and respected people involved with the field of psychiatry. Today – among the various cultural associations that have a home here – La Tinaia cooperative and the Chille della Balanza theatrical group make it a social and artistic destination, thanks to shows, events and meetings.”
Yesterday was a beautiful fall day in Florence, following a week of continual rain, and we viewed the campus in this amazing autumn sunlight:


Two well-known Italian photographers, Carla Cerati and Gianni Berengo Gardin, documented, in chilling photographs, the story of San Salvi and its inmates, with “harsh images of women and men prisoners, jailed, bound, punished, humiliated, reduced to suffering and need.” If you Google Manicomio Firenze, you can find vintage photographs of the hospital and the patients. It was gruesome.
As I was leaving the campus, this old rusted iron gate seemed to sum up the history of the place for me. The key hole especially records the memory of patients locked in.

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