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Random pix of beauty

Once upon a late summer Sunday near Florence
Upon the beautiful grounds of a once fabulous, historic Florentine villa, the Villa Demidoff, I encountered a feast for all of my senses.
Love intentionally, extravagantly, unconditionally…

Oggi a Firenze
Italiano
Paolo and Francesca
Doré : That day we did not read you there anymore
Paolo Malatesta and Francesca da Polenta are two figures of lovers who became part of the popular sentimental imagination, even though they also belonged to history and literature . A part of the V canto of the Divine Comedy by Dante Alighieri is dedicated to them. In the Commedia , the two young people of Rimini (even if born in Ravenna ), of the nearby Verucchio him – represent the main souls condemned to the Dante hell , in the circle of the lustful.
In life they were brothers (Francesca was in fact married to Gianciotto, brother of Paolo) and this love led them to death at the hands of Francesca’s husband. Francesca explains to the poet how it all happened: reading the book that explained the love between Lancelot and Geneva , the two found warmth in the trembling kiss that eventually exchange and that characterizes the beginning of their passion.
The tragic love affair of Paolo and Francesca has been re-enacted on other occasions, always in literature but also in opera . Particularly known, appreciated and loved is the version that gave it in 1914 the Italiancomposer Riccardo Zandonai in his Francesca da Rimini . The commotion “defense” made by Boccaccio (see below) will not go unmentioned, which tells us that at the base of the marriage between Gianciotto and Francesca da Polenta there was a terrible ambiguity encouraged if not designed by the elders of the two families. Francesca, says Boccaccio, was made to believe that she would marry the beautiful and elegant Paolo. Boccaccian observation (defined by Torraca “last novel by Boccaccio”) is tender and sentimental, but does not stand up to a minimum of historical criticism.
What every writer needs:

A marked room for writing.
Piazza Savonarola
Savonarola has a very mixed history with Florence. It ended very badly for him.
I always thought that the only memorial Florentines were willing to grant him is the roughly 36″ circle embedded in the Piazza della Signoria that marks where he was burned at the stake. Then I found that his memory is alive and well at the San Marco convent.

But, I was wrong. I recently discovered the large Piazza Savonarola in the eastern district of Florence. It’s located here, marked by the red pin. You can see where it is in relationship to Piazza della Liberta’:

Here are some aerial views to show you how big the piazza is.


So, I decided to check the piazza out. Savonarola statue stands in center of the square, facing south. Hi feverish eyes are reproduced in the statue.



I don’t have a particular fondness for Savonarola; as a matter of fact, I blame him for the destruction of many fine paintings and other works of art in his bonfires of the vanity.
Since it was a holiday the day I was in the square, not many restaurants were open. I found an open-air pizzeria next to Savonarola’s piazza and decided to give it a try. I was highly entertained when I saw on the menu that they have a Savonarola pizza. I tried it. It was ok, not great.


The streets of Monaco on the day of Grace Kelly’s wedding, 1956
RCT-F-051374-0000
Grace Kelly and Ranieri of Monaco’s wedding. Streets of the Principality
Mandatory photo credit:
Toscani Archive/Alinari Archives Management, Florence
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1956
Place of photography
Monaco
Collection:
Toscani Archive/Alinari Archives Management, Florence
RCT-F-051293-0000
Grace Kelly and Ranieri of Monaco’s wedding
Mandatory photo credit:
Toscani Archive/Alinari Archives Management, Florence
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1956
Place of photography
Monaco
Collection:
Toscani Archive/Alinari Archives Management, Florence
RCT-F-051283-0000
Grace Kelly and Ranieri of Monaco at their wedding
Mandatory photo credit:
Toscani Archive/Alinari Archives Management, Florence
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1956
Place of photography
Monaco
Collection:Toscani Archive/Alinari Archives Management
RCT-F-051281-0000
Grace Kelly and Ranieri di Monaco at their wedding
Mandatory photo credit:
Toscani Archive/Alinari Archives Management, Florence
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1956
Place of photography
Monaco
Collection:
Toscani Archive/Alinari Archives Management, Florence
Alfred Hitchcock, Rear Window
ULL-F-041935-0000
Grace Kelly (1929-1982) with James Stewart in “The window to the courtyard”, 1955
Mandatory photo credit:
Ullstein Bild / Alinari Archives
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
1955
Collection:
Ullstein Bild / Alinari Archives
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