Florence never was a pansy!

“Florence is not as delicate or demure as most travel brochures and coffee-table books might lead us to think.

“The city has a vivid, volatile history—Christian martyrs thrown to lions, neighborhood clans engaged in bloody vendettas in the streets, poorly paid wool-workers rioting in the marketplaces until their voices were heard in the powerful guild halls.

“Florence is a dollhouse setting for much of the theater of Italian social history—in fact, for much of the social history of the Western World.

“Money-making, church-building, and nobility-feuding were the activities of primary importance in the newly cosmopolitan Florence of the thirteenth century. Frescoes, paintings, statues, murals, and tapestries were the artistic accessories to a world that was waking up to self-expression, creativity, vanity, materialism, and physical adornment. The great artworks, the churches, the palaces, the commercial life, and the very shape and pattern of the city were all products of an extraordinary group of men and women who have lived and earned a living here.

“In the first two centuries before Christ, Florence (or Florentia) was little more than a factory town and Roman port. Iron making was probably the chief industry. Ore that was extracted on the island of Elba and shipped up to Pisa was brought down along the wide stretch of the Arno to Florentia.

“Overlooking the port and its activities was the Etruscan town of Fiesole. The Etruscans were a proud group of people who traced their ancestors back to Asian nomads and Sandon, the king of Babylonia.

“When and how they settled in Italy are unresolved matters, but at some time a delegation from southern Lydia in AsiaMinor may have been responsible for introducing Greek art and culture into their lives. Depictions of Hercules, equipped with his bow and metal mace, have been found in Etruscan tombs, and his lion is still part of the emblem of Florence today.

“Fiesole was captured by Roman armies in the second century B.C. Three concentric walls were built around the hilltop, and a fourth wall extended down to Florentia and the Arno.

“The entrances to this enormous citadel were along the river’s edge. Three gates, spaced a mile apart, were the only access to the occupied town.

“The Roman general Sulla parceled out tracts of Florentia to members of his twenty-three legions. The soldiers, in turn, showed their allegiance to the mother city, Rome, by building a miniature copy complete with a Field of Mars, a Forum, a Temple of Mars, baths, a theater, an amphitheater, and an aqueduct.

“Fiesole, meanwhile, played a very different role. The town became the center of soothsaying in the Roman world. Long known for its skilled body of priests trained in the rites of sacrifice and divination, Fiesole annually welcomed twelve Roman youths who were sent to the hillside temples to study augury. In the first century A.D., Pliny remembers the auspicious sight of a Fiesolan entering the gates of Rome accompanied by his seventy-four sons and grandsons and a commission to carry out some serious soothsaying.”

 

Source: Holler, Anne. Florencewalks: Four Intimate Walking Tours of Florence’s Most Historic and Enchanting Neighborhoods (Kindle Locations 65-68). Henry Holt and Co.. Kindle Edition.

 

Foods in Paris

So, I was lucky enough to take a guided tour through the old market streets of Montmartre. OMG.  Hang on!

First stop: an artisan boulangerie:

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Next stop, a cheese shop:

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Then we chose a shop for dessert, a fruit tart:

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There’s more to come, but we need to pace ourselves!

We 3 Kings of Orient are: FÊTE DES ROIS

FÊTE DES ROIS

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The official end of the Christmas season is the Fête des Rois, or the Three Kings’ Day (Epiphany), and is celebrated throughout France with the galette des rois, or king cake. It’s a flaky pastry generally filled with frangipan (an almond cream), and hidden inside is a fève (tiny baby figurine). Whoever gets the piece with the fève gets to be the king or queen for the day. Most bakeries sell the cakes with a paper crown.

While in Italy:

A completely different approach!  Befana and Epiphany parade: watch this space!

Hot chocolate and Florence

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Did you know that hot chocolate is a Florentine tradition? From its first appearance at the Medici court in the 16th century, the city’s nobles went crazy for the bitter drink, which was served instead of wine or water at meals in Palazzo Pitti.

It experienced a second moment of importance in the 19th century, when some of the city’s now-historic bars served it to travelers, aristocrats and intelligentsia. I recently learned about Hot Chocolate in Florence on a thematic tour of the city with Francesca from the cultural association Tre Passi Per Firenze, organized by Yelp Firenze, and I’ve asked her to tell us more about it. The article below is composed thanks to her research, with my words.

 

History of chocolate in Florence: where and whom

Christopher Columbus may have sailed the ocean blue in 1492 but it took him until his fourth expedition, in 1502, to discover chocolate. The nice people of the island of Guanaja in Honduras sent some home with him, having also served it to him as a drink, which he found disgusting. Cortés did a better job of diffusing the love for chocolate, having found it in Mexico in 1519 and imported it to Spain in 1528. It took half a century until it became regularly available in Europe – Italy was the second country to adopt it.

The “gift from the gods” was prepared as a drink – the possibility to make chocolate harden into a bar came only later – following the methods brought back via Cortés. The seeds of the cacao were ground into a powder and combined with boiled water to make a bitter drink. Early reports say it was healthy and provided much energy. Its success in European cities, including Florence, was that it provided an alternative to wine and beer when the water couldn’t be drunk unless boiled. It wasn’t entirely to the taste of Italians until combined with cane sugar: Girolamo Benzoni, an important merchant, said in the middle of the 16th century that it wasn’t fit for men but for pigs. He changed his mind when he tasted the sugared version.

For the entire article, see:  http://www.arttrav.com/florence/hot-chocolate-in-florence/?fbclid=IwAR3VY-ISIIyTJAYdhw66QfRu9_vXl4d0GlceJWeGyZNI0yuooevWH_gyjbY

Les Marais, part 3: Jardin Saint-Gilles-Grand-Veneur-Pauline-Roland

Le Mairie de Paris is full of fascinating things!  I’ve already posted twice about Les Marais and there is still more to discuss.

One the 9 Rue du Grand Veneur is located another small, lovely garden: the Jardin Saint-Gilles-Grand-Veneur-Pauline-Roland. The name is a homage, in part, “ à Pauline Roland (1805-1852), une féministe socialiste française.”

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Tucked away within a maze of narrow streets, far from the hustle and bustle of modern Paris, is this little known, rarely visited, but utterly charming haven of peace – the Jardin Saint-Gilles-Grand-Veneur, with its magnificent view of the façade of the Hôtel du Grand Veneur townhouse. Visitors come here is for some peace and quiet, or to settle down on the stone benches in the lovely rose arbor for some calm.

The mansion surrounding the small garden is the Hôtel du Grand Veneur,  a prestigious 17th-century mansion in Le Marais. Listed in the Register of Historic Monuments since 1925, the building consists of three buildings forming a U around a large paved courtyard, in which is located the garden.

In 1733, Vincent Hennequin who was the captain who organized the king’s hunts, purchased the mansion. He had many hunt-related images carved and applied to the decorations of the Hôtel.

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The hotel was confiscated during the French Revolution; it was then purchased in 1823 by the Franciscan ladies of St. Elisabeth who occupied it until 1901.

apmh00004609 Late 19th century photo of exterior

 

As impressive as this mansion is, it was the garden that drew me in.

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And, here it is!  Remember it was a cold December morning I paid my visit, but the garden had its charms even then.

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I wasn’t the only person drawn to this fine garden that day.  I saw a fashion photography shoot happening in the courtyard.

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Germany has the moral duty to return a painting to Florence, according to the Uffizi’s (German) director

Director of the Uffizi Galleries, Eike Schmidt, has kicked off the new year with an appeal: return a painting stolen from the Palazzo Pitti’s collections by Nazi soldiers, healing a 75-year-old wound that is not uncommon in the post-war art world.

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During their retreat in 1944, Wehrmacht soldiers removed Vase of Flowers by Jan van Huysum, along with several other still-life masterpieces from the 17th and 18th centuries, from the Villa Bossi-Pucci, where it was transferred in 1943, having previously been on display in the Palatine Gallery since 1824.

The artwork was eventually brought to Germany, where it ended up in the hands of an unidentified family.

Though its whereabouts were unknown for decades, following reunification in 1991, several intermediaries came forward on behalf of the family to demand the Italian authorities pay to have the painting returned.

These attempts were unsuccessful and Florence’s district attorney’s office eventually concluded that the painting belongs to the Italian State, and so it cannot be bought.

“Germany must abolish its law regarding paintings stolen during the war,” says Schmidt, referring to the statute of limitations preventing prosecution for crimes committed more than 30 years ago, “and ensure that these works be returned to their rightful owners. Germany has a moral duty to return this work to our museum, and I hope that the German state will do so as soon as possible, along with every other work of art stolen by the Nazis.”

Underlining Schmidt’s plea is a black and white reproduction of the painting newly on display in the Sala dei Putti in Palazzo Pitti, alongside an Italian, English and German-language panel explaining that the work was stolen in 1944.

The article above is taken from http://www.theflorentine.net/news/2019/01/return-stolen-artwork-uffizi/?mc_cid=d17a9ccafa&mc_eid=2a398b6f2f

Les Marais, deuxième partie (2); Jewish quarter and the Jardin des Rosiers – Joseph-Migneret

As I mentioned in my last post on Le Marais, this area is also the most famous Jewish quarter in Paris and, in fact, in much of Europe, still maintaining strong traditions.

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There have been Jews living in Paris on and off since the region was conquered by Rome in the first century BC.

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The Rue Rosiers is a key street in the historical Jewish center of Paris; it is a charming pedestrian road and is known as the Pretzl or “little place” in Yiddish. The rue des Rosiers name refers to the “street of the rosebushes.”

Jews have a long history in France (full of prosperity as well as expulsions and persecution), but in Le Marais in particular. This area became the center of Jewish life in Paris in the 19th and early 20th centuries as Sephardic Jews came over from Eastern Europe.

And, while Paris has been a place of Jewish prosperity, scholarship, and greatness, it has also seen a lot of sorrow. For centuries, the Jewish community lived within France only at the sufferance of the king. Expulsions were common, and it was not until the French Revolution and then Napoleon Bonaparte that Jews finally had some measure of civil and religious freedom.

In Paris, in Le Marais, you will find kosher and Jewish style restaurants cheek by jowl with Jewish bookshops, small synagogues, prayer rooms, and kosher boulangeries and charcuteries. You will also see trendy shops, a sign of the increasingly gentrified nature of the neighborhood.

There’s an interesting pinkish building with “Hammam Saint Paul” written on it.  Today the building houses a fashionable boutique, not a Turkish bathhouse.

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The building dates to 1856 on the Rue des Rosiers and this bathhouse survived for 130 years, give or take. The hammam closed its doors in 1990. You can still see the painted name of the building in yellow on a blue background, dating from 1928, work by architects Boucheron and Jouhaud.

On the second floor are two sculptures on the piers, decorated with lion heads and stating the words Sauna and Pool.  These date from 1901.

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In an earlier post, I talked about 2 falafel restaurants; both are located on Rue des Rosiers: https://laurettadimmick.com/2018/12/29/a-little-friendly-competition/

Jardin des Rosiers – Joseph-Migneret

And then we come to a lovely small park, known as the Jardin des Rosiers – Joseph-Migneret.

During World War II, Joseph Migneret was the principal of the elementary school of Hospitaliers St. Gervais, located nearby at 10 rue des Hospitalières-Saint-Gervais.

During the round-ups of 1942, 165 Jewish children from this school were deported, mostly of them to Auschwitz, and not a single one survived. The school now bears a plaque that reads “165 enfants juifs de cette école déportés en Allemagne durant la Seconde Guerre mondiale furent exterminés dans les camps nazis. N’oubliez pas!”  (In English: 165 Jewish children of this school deported to Germany during WWII were exterminated in the Nazi camps. Do not forget!”)

After the loss of so many of his students–only 4 students returned to school on October 1, 1942–Joseph Migneret dedicated himself to the Resistance and to helping the Jewish families escape further round-ups and persecution. He hid many of them in his own home. He died shortly after the end of the war; it is said he died of sadness on account of everything his students endured.

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And, an equally heinous history is what happened to Jewish infants in the same city.  There is a plaque imprinted with the names of 101 infants of the fourth arrondissement in Paris, who were arrested by French police of the Vichy Regime and handed over to the Nazis for extermination.

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They were all too young to attend school. (If they had been old enough, their names would already have been placed on plaques at the schools they attended at the time of their arrest.)

The youngest was 27 days old.

The five lines at the top of the plaque set out their common fate:

“Arrested by the police of the Vichy government, accomplice of the Nazi occupation forces, more than 11,000 children were deported from France and murdered in Auschwitz because they were born Jewish. More than 500 of these children used to live in the fourth arrondissement. Among them, 101 were so young that they didn’t have a chance to go to school.

“These lines are followed by a message to passersby, who will pause to glimpse into the ugly past:

“Passerby, read their names. Your memory is their only tombstone. We must never forget them.”

 

 

 

Next up: Jardin Saint Gilles Grand-Veneur

The Grand-Veneur hotel was built in the 17th century for Hennequin d’Ecquevilly, captain general of the King’s Vénerie: he was in charge of organizing the court hunts of the king. This square occupies the garden of this mansion.

The garden, built in 1988, pays tribute since 2010 to Pauline Roland (1805-1852), close to Georges Sand, former teacher, initiated to Saint-Simonian ideas in his youth, feminist and socialist activist.

 

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Along the rue de Rosiers, you’ll find the best Falafel in town and a few remaining orthodox eateries. The best falafel is apparently at L’as du Falafel. That said, I assure you, they’re all good.

 

https://www.algemeiner.com/2015/10/08/paris-to-unveil-memorial-for-infant-victims-of-the-holocaust/

Rare footage of Monet, Degas, Renoir and Rodin

 

https://www.chonday.com/16575/moneartist3/?fbclid=IwAR27OVAReOLn6GK0flZfoAdTfGUKSleyWNM1rROkCs72vNhzEZleR0zIZ8E

 

Rare Film of Monet, Renoir, Rodin and Degas
Fine art enthusiasts will appreciate these fascinating 100-year-old film clips of four of the most celebrated artists in history; Claude Monet, Pierre-Auguste Renoir, Auguste Rodin, and Edgar Degas. In 1915, with the newly innovated film camera, a young Russian-born, French actor named Sacha Guitry captured some of France’s greatest artists and authors.