
Did you know? Florence

Did you know that the huge gold ball that sits on top of the Cathedral in Florence once fell off? It gathered pace as it rolled down Brunelleschi’s dome and crashed into the piazza below. Next time you are in Florence, search for the gold cross that marks the spot.
(Thanks to the Facebook page of Florence Immersion for this info.)
UPDATE: 28 OTTOBRE 2018
It is said that Michelangelo, before leaving for his trip to Rome, turned towards il Duomo (as it is called by the Florentines) and said the following about the dome of St. Peter’s, which he would soon begin to build: «I go in Rome to make your sister bigger but not more beautiful>>.
Florence’s Cupolone, aka il Duomo, is the largest dome ever built without the use of ribs to support the masonry. When the great work was finished, only the golden copper ball surmounted by a cross was missing. This was then made by Verrocchio, weighing 4368 pounds. Luca Landucci, a contemporary historian relates in his “Florentine Diary: that on 27 May 1471, the golden copper ball was raised up onto the top of the lantern of the dome of Santa Maria del Fiore. And on the 30th, they put the cross in on the ball.
The contract with Verrocchio specifically provided that the ball was to be made of eight pieces. To buy the best copper, which came from Cyprus or Central Europe, the artist spent a few months in Venice, awaiting the arrival of the correct cargo. Six pieces of copper were then sent to Florence on a wagon, going through Bologna, in August of 1469. The final two pieces arrived in Florence in October.
The finished ball and cross were installed and everything went well until April 5, 1492, when a thunderbolt crashed into them and more than the third of the lantern fell to the ground.
The damages were repaired, but in 1601, on a stormy night between the 26th and 27th of January, another thunderbolt hit the golden bronze ball and its cross. All of them crashed off the top of the dome, even bringing down pieces of marble from Manetti’s lantern. Amazingly, despite the violence and weight of the falling structures, no one was killed or even hurt. Many of the fragments ended up in the middle of via de’ Servi, and many Florentines rushed to the Piazza del Duomo, frightened by the loud noise.
Ferdinand II, Grand Duke of Florence, immediately started the reconstruction and called upon the greatest Florentine architects, as we can see from the ancient documents. The ball with the cross was restored and put back in its place in 1602 but, as reported by the documents in the Opera del Duomo, Ferdinand concluded that the best way to defend the Duomo from what were believed to be attacks by the devil (who was said to have made the lightening) was through religion, which he quickly embraced.
Thus, at the behest of the Grand Duke and the archbishop, 2 lead cases were made to go inside the new golden copper orb. Inside were some Agnus Dei – wax medallions with the image of the Lamb, blessed in the week of Easter – and relics of saints. These objects were supposed to protect the cathedral from the thunderbolts and Latin inscriptions on the cases confirmed the contents.
The ruinous fall of the orb and cross caused so much fear that the leaders of the Florentine Republic decided to install a round, white marble slab, to show the exact point where the bronze ball crashed to the ground on the pavement behind the cathedral in front in via dell’Oriuolo.
Source: Secret Florence.

Life is pain…
Anthropology: the Italian male in his natural habitat
Based upon my scientific observations, this species appears to travel in pairs or in small groups. More study is needed.
Autumn, who portrayed it better than Winslow Homer? No one.



And, my all-time favorite:

Native American motifs in Italy?
Yes, surprising as it seems, from time to time I see them. It is always a surprise and a pleasure!

This beautiful textile is on display in an upholstery/fabric shop window in Florence. I am curious as to who would buy it for their Italian home and how they would use it. I will never know!
Fare-thee-well to Jane Fortune, proponent of women artists in Italy and citizen of Florence
Florentine haute couture, c. 1950

Photo taken by the Palazzo Strozzi.
Gardening on a Renaissance palazzo
It takes a hard-core gardener (and it takes one to know one) to grow a vine on the facade of a Renaissance palazzo in Florence. Someone with a strong will is trying to grow vines out of smallish containers. I don’t think it will work, but I admire the attempt!

What I saw on a Sunday walk in the hills outside of Florence
Last Sunday was beautiful; it was sunny, not too hot, and I found myself deep within the hills outside of Fiesole. I love these random wanderings and the things I see.
It’s hunting season now and wild boar is a usual casualty. Florentines love dining on these cinghiale, and I saw this advertisement in an osteria making good use of the hunt.

The colors of fall on the trees are just beginning to reveal themselves in these lovely hills, but pyracantha is almost shining, it is so bright. Very pretty!

Edible crops are alive and well in the hills near Fiesole, and I never, ever tire of seeing pomegranate trees bearing fruit.

The olive harvest this year looks to be very good and I encountered many trees heavily laden with these green fruit.


There are olive orchards all through these hills, but there are also fig trees, plum trees and, as below, plenty of apple trees.

I loved looking at this particular apple tree and I will admit that I was sorely tempted to climb the ladder that was already in place to access the apples high up. I contained myself and didn’t do it!

The views and vistas on all sides of me were attractive and beckoning. Another day I’ll climb other of these hills.

In the village of Fiesole itself I smiled when I saw this sign. “Whoever takes a dog on a walk is responsible for the dog’s comportment.” Hear hear!

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