Michelangelo’s Madonna of the Stairs

I’ve enjoyed a week of Italian masterpieces, starting at the Uffizi Gallery last weekend.

Yesterday I visited the Casa Buonarroti in Florence, where I had Michelangelo’s incomparable Madonna of the Stairs to myself.  Awesome.

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I’ve loved this sculpture since I first learned of it in an art history course.  The artist could paint or sculpt anything, in any style.  He could do a deep bas-relief and he could do the shallowest of carvings, achieving truly awesome results within the depth of a piece of paper.

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The awesome riches of Venice in late 16th century

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Giovanni Botero (1544—1617), an eye-witness, wrote of Venice:

Not only is there bread in abundance; there is also an incalculable wealth of all goods and delicacies, which are brought hither, not only by the rivers and canals of the mainland, but also by the sea, from as far afield as Egypt, Syria, the Archipelago, Constantinople and the Black Sea.

To Venice come the oils of Apulia, the saffrons of the Abruzzo, the malmseys of Crete, the raisins of Zante, the cinnamon and pepper of the Indies, the carpets of Alexandria, the sugar of Cyprus, the dates of Palestine, the silk, wax and ashes of Syria, the cordovans of the Morea, the leathers, moronelle, and caviar of Caffa.

There is such a variety of things here, pertaining both to man’s well-being and to his pleasure, that, just as Italy is a compendium of all Europe, because all the things scattered through the other parts are happily concentrated in her, even so Venice may be called a summary of the universe, because there is nothing originating in any far-off country but it is found in abundance in this city.

The Arabs say that, if the world were a ring, then Ormuz, by reason of the immeasurable wealth that is brought thither from every quarter, would be the jewel in it.

The same can be said of Venice, but with much greater truth, for she not only equals Ormuz in the variety of all merchandise and the plenty of all goods, but surpasses her in the splendor of her buildings, in the extent of her empire, and, indeed in everything else that derives from the industry and providence of men.

Scotti, Dom Paschal. Galileo Revisited: The Galileo Affair in Context (p. 28). Ignatius Press. Kindle Edition.

Uffizi masterpiece: Duccio’s Rucellai Madonna

As Christians around the world prepare to celebrate the birth of Jesus on December 25, it seems like the right time to talk about some Uffizi masterworks.

Let’s start at the beginning of the Italian Renaissance with Duccio’s break-taking Rucellai Madonna.  This large painting shares a room with two other altarpieces by contemporary artists, whom I’ll discuss in upcoming posts.

 

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Duccio, The Rucellai Madonna, 1285-86, tempera on panel, 177″ x 114″

 

 

 

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I could wax on about this gorgeous work of art, but instead I’ll direct you to the Khan Academy instead:

https://cdn.kastatic.org/KA-youtube-converted/1JL5ZR-ocOs.mp4/1JL5ZR-ocOs.mp4#t=0

Dear Santa: Caro Babbo Natale

It isn’t too late, but you should hurry.  Here are two form letters I found today in Florence that will help you do the trick:

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My rough translation: Dear Father Christmas, my name is ……………I am writing you because I have some wishes that I hope to have realized and I know that you are very nice to good children.  For Christmas I would very much like to receive…………………………………………………………………………………………………………………………….etc.

 

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Thank you in advance for fulfilling my wishes.  I promise you that I will be very well behaved and always obey mamma and papa.  I give you a big hug.  My address is…………………………………………………………………………………………………….

With affection (signed) ……………………………………………………………….

 

 

If I were you, I would hurry and get these letters mailed!