You thought Florence was only for pansies?

Ha!  I think not!

What is this madness, you ask:

History of Calcio Fiorentino,

Calcio Fiorentino is like a rugby death match played with hands and feet, but mostly fists. It may have begun as early as the first century A.D., as some believe, but it can definitely be traced to the early 16th century, when these basic rules were established: two teams of 27 members each are allowed to throw the ball over the goal in 50 minutes.

Each major Florentine neighborhood has a team as follows:

Santa Croce: Blue team or Azzurri
Santa Maria Novella: Red team or Rossi
Santo Spirito: White team or Bianchi
San Giovanni: Green team or Verdi

update: November 13, 2014, see this article for updated rules:

http://theflorentine.net/articles/article-view.asp?issuetocId=9653&browse-by=News&level=Florence-News

For those who prefer Italian.

Florentine Silk

From today’s New York Times.

 

Down a quiet lane in the San Frediano district of Florence, beyond an iron gate and leafy courtyard, is Antico Setificio Fiorentino, the sole remaining artisan silk workshop in the city. Since moving to this location (Via Lorenzo Bartolini 4) in 1786, the small factory has maintained uninterrupted production, despite wars and floods. The art of silk-making in Florence flourished in the Renaissance, when noble families amassed fortunes and fame by producing exquisite silks. That tradition endures at Antico Setificio Fiorentino, where silks are woven by hand on antique looms using Renaissance patterns.

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FLORENCE | A silk loom at Antico Setificio Fiorentino. Credit Stefano Ricci /ASF by Bernardo Conti

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During a recent tour, the designer Maurizio Bonas rattled off the illustrious names of historic Florentine clans — Corsini, Pucci, Strozzi — whose signature patterns are still being produced. “When you go inside many historical houses in Italy, it’s Antico Setificio that did them,” said Mr. Bonas, who noted that the factory’s silks also adorn rooms in the Vatican, the Palazzo Vecchio and the Tribuna degli Uffizi in Florence, and even in the Kremlin in Moscow.

“To make these kinds of fabric, we cannot use the modern machines,” Mr. Bonas said, pulling out a roll of sumptuous blue embroidered silk velvet made with 350,000 stitches per meter. One worker who was weaving a cream-colored damask from a design named for the Renaissance painter Pinturicchio could be expected to complete only 80 to 100 centimeters of the fabric per day. And because the small factory employs only 20 artisans, production is predictably limited — and costly. In the adjoining showroom, walls are lined with bolts of silk, from plush velvets and intricate damasks to diaphanous taffetas, 110 to 1,360 euros (about $135 to $1,670) per meter. Decorative pillows are adorned with hand-woven trims. And, on a table, a basket is filled with sachets made of Ermisino, a shimmering silk taffeta that dates back 500 years. Inside each is potpourri from Officina Profumo-Farmaceutica di Santa Maria Novella, a 400-year-old pharmacy that has partnered with Antico Setificio for, as Mr. Bonas said, “only 250 years.”

A more recent partnership with the Stefano Ricci luxury men’s wear label, which acquired Antico Setificio in 2010, means the designer’s nearby store now stocks wearable wares made with Antico Setificio’s fine silk. INGRID K. WILLIAMS

U is for Uffizi; or is it for ukioy-e? Take your pick.

The Uffizi or the art of ukioy-e.  How can I decide?  I love them both.  They are like children, you can’t choose a favorite!

Let’s start in Italy.  How can you go wrong?!!  Well, you can’t!  Did you know that 40% of the world’s art resides in Italy?  It is the truth.  And a lot of the best is in this former office building in Florence.

https://i0.wp.com/upload.wikimedia.org/wikipedia/commons/4/49/Galleria_degli_Uffizi--w.jpg

Galleria degli Uffizi. I could look at this view–in person of course– for minutes, hours, days, weeks, months, or even a lifetime.

https://i0.wp.com/i.telegraph.co.uk/multimedia/archive/02465/Uffizi_Gallery_at__2465390b.jpg

Here’s a nighttime view, looking the opposite direction. Sigh.

https://i0.wp.com/selectitaly.com/images/museums/20090305134757.jpg

Here is just one of the masterpieces included in the Uffizi collection.  Botticelli‘s Birth of Venus.
Time spent looking at this painting is my idea of heaven, although I have little patience with the crowds that gather in front of this beauty.

And, before I get carried away with the incredible Florentine museo, let me turn to ukiyo-e, aka Japanese wood-block prints.

https://i0.wp.com/upload.wikimedia.org/wikipedia/commons/0/0d/Great_Wave_off_Kanagawa2.jpg

Here is a masterpiece by Hokusai known as The Great WaveTry to imagine yourself as one of the boaters in the lower right quadrant.  Scary thought!  Is the artist making a statement about the magnificence of nature and man’s tiny role in it?  Maybe.

https://i0.wp.com/www.hurstgallery.com/exhibit/recent/LandscapesandLegends/images/9lg.jpg

And then there is the great Hiroshige as seen in one of his views of the famous road between Tokyo and Kyoto. Notice how the smoke from the bonfire drifts up and out of the composition, even breaking the framing device.  Nice touch Hiroshige.  No wonder you are considered a master artist.

Based upon the realms of art, the letter U is a good, even great, letter!

Ciao, sayanara!