Liberation Day, a national holiday in Italy

Faux painting

I love it to pieces!

At Villa Gamberaia recently I saw this exterior faux:

IMG_2144

 

IMG_2108IMG_2109IMG_2110

 

Then on Saturday I noticed this in the San Nicolo neighborhood in Florence.

IMG_2374IMG_2376

 

 

And then there was this series of chicks painted on a building nearby.  It isn’t an example of faux painting; it’s just cute.  I believe the building housed a school for young children.

IMG_2373IMG_2371IMG_2372

Aprile in italia

Aprile, apriletto, un dì freddo un dì caldetto” –(April, oh April, one day you’re cold, the next you’re warm.)

IMG_2333

The weather has been all over the place lately, exactly like it is supposed to be in April! Sunny and almost hot and then windy, rainy and cold.  Infatti, Aprile is quite notorious and has a pretty wild reputation in Italy. There are an astounding number of old Italian proverbs devoted to this wily month:

Aprile e Maggio son la chiave di tutto l’anno (April and May are the keys to the whole year).

IMG_2329

And then: Aprile fa il fiore e maggio si ha il colore (April brings the flower and May the color.)

IMG_2321

One I really like is: Aprile carciofaio, maggio ciliegiaio. (In April, artichoke. In May, cherries.)

IMG_2031

April rains are their own category of proverbs. To wit:

*Aprile piovoso, maggio ventoso, anno fruttuoso” — Rainy April, windy May, fruitful year.

Error
This video doesn’t exist

 

*L’acqua d’aprile, il bue ingrassa, il porco uccide, e la pecora se ne ride” — The water of April, the ox grows fat, the pig dies, and the sheep laughs.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

*Quando tuona d’Aprile buon segno per il barile’ — When it thunders in April, it’s a good sign for the barrel (of wine).

IMG_2327

And the weather can be a guide to men as well:  “Gli uomini sono aprile quando fanno all’amore, dicembre quando hanno sposato.“– (Men are like April when they flirt/court; like December once they are married.)

Hang on, May is almost here!

Il Giardino dell’ Iris, Firenze

Today was a magnificent spring day!  Oggi era magnifico!  A great day to check out the iris garden located just steps from Piazzale Michelangelo.

The iris are just starting to bloom; in a week they should be at prime.

IMG_2342

The Iris Garden is open from now through 20 May,  daily from 10:00 to 13:00 and from 15:00 to 19:30.  It is open Saturday and Sunday from 10:00 to 19:30.  Entrance is free.  You can catch the bus (Numbers 12 and 13) at SMN Station.

IMG_2340

The garden is located in a prime Florentine location, just off the Piazzale Michelangelo.  It is nicely laid out on the side of a hill, with the iris beds nestled in among healthy olive trees.

IMG_2341

IMG_2343IMG_2344

Today the garden was open to the public and paintings of flowers were interspersed into the garden.

IMG_2364IMG_2365IMG_2366IMG_2367

IMG_2354IMG_2356

IMG_2348IMG_2347IMG_2346IMG_2345

The tags remind us that this is a competition garden as well as a pleasure garden.  In particular, 2 Iris rhysomes planted in 2014 are planted side by side: “Broad Minded Sutton” from the USA, in completion with “Marruchi” from Italia.

IMG_2352

Some rose bushes are in full bloom in the iris gardens.

IMG_2353

Pretty stone paths wind through the gardens, amongst the olive trees.

IMG_2359IMG_2360IMG_2362IMG_2350

Happy Birthday, dear Rome!

April 21 is the day the eternal city celebrates its official birth.

This year the capital celebrates its 2,770th birthday. Known as Natale di Roma, the annual birthday celebration is based on the legendary foundation of Rome by Romulus in 753 BC.

Buon compleanni, Roma! 

images-2

 You don’t look a day over 1000!

Now, let’s refresh our memories:

Romulus ans Remus Legend

You will remember from your history lessons that Rome was founded as a small settlement atop the Palatine Hill (the hill within the Roman Forum complex), a settlement that would one day become the Caput Mundi (capital of the world).

Archaeology can be used to determine how Rome was actually founded, but it is through the stories orally passed down through history that gives us the colorful legendary story, filled with love, death, nurture and triumph and casts two baby boys, Romulus and Remus, alongside a she-wolf as the protagonists of one of the the world’s most fascinating tales.

The orphaned twins, Romulus and Remus, were the sons of Mars, the God of War, and Rhea Silvia, the daughter of the ex-King Numitor of Alba Longa.

Rhea’s uncle Amulius was threatened by the young babies, convinced that one day they would overthrow him, just as he had done to Rhea’s father. Rhea was forced to forsake her children and an order was given to drown the twins in the River Tiber. Remarkably, the twins survived this brutal attempt at their lives. A she-wolf found the babies and kept  them alive by caring for them like they were her pups.

After the she-wolf gave Romulus and Remus a chance at life, Faustulus, a shepherd, adopted them as his own. He raised the boys as leaders of a group of shepherd warriors.

Growing stronger every day, the twins eventually learned that their mother was the daughter of the Kind of Alba Longa; they stormed the empire, claiming their right as heirs, killing the uncle who ordered their death, and reinstating their grandfather as the king.

Having had their revenge, the brothers returned to the place where the she-wolf had found them and set out to build a city of their own.

As so often happens in epic myths (and real life), the two power hungry brothers had a series of disagreements. Romulus ended up killing his brother Remus in a fight and thus Romulus then became the king of the city that they had founded atop the Palatine Hill. He named it “Rome”.

If you’ll be in Rome this weekend, and want to join the party, here’s a resource for activities planned:

http://www.natalidiroma.it/english_3.html

 

 

Roman Florence, wherefore art thou?

Buried, about 9 feet under.  Did you realize that the true foundation of Florence is entirely Roman?

However, in Florence, unlike Rome, where majestic stretches of crumbled pillars and shells of temples lie in plain site, the ruins in Florence are much more discreet.  They pose a difficult but thrilling challenge for the determined history buff to sniff out.

First, an aside. Just before and during Easter, the weather in Florence was spectacular.  I started to believe that summer was just around the corner.

Then it cooled off–suddenly and drastically.  With rain.  I was caught dressed for summer, not believing that winter could possibly crop up again.  Boy, was I wrong!

So, with the cooler weather, yesterday seemed like a great day to go underground and catch up on my history lessons by visiting the Roman ruins under the Palazzo Vecchio in the heart of Florence. And that’s how this complicated, historical post got started.  Sorry, but every now and then I have to learn something new and today, Roman Florence is it.

images  This is how Roman-era Florence was laid out.

In case you didn’t remember, Florence was founded by the Romans as a military camp situated on the Via Cassia, the main route between Rome and the north.  We even know who established Florence: Lucius Cornelius Sulla in 80 BC.

Lucius Cornelius Sulla built Fluentia as a settlement for his veteran soldiers. The camp was originally named Fluentia, as it was built between two rivers; the name, of course, was later corrupted to Florentia. Sulla built the camp on the orders of Caesar,  who specified the building of a military outpost or a castrum, to be built over a 1,800-meter plot that is today the historic center of Florence.

The castrum was quadrangular, enclosed by fortifying walls punctuated by towers and four central gates at cardinal points.

IMG_2284

As you can see from the map above, Fluentia was laid out in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the center.  These two major cross-axial streets divided this new Roman settlement into a grid; the cardo ran north-south and was called via Cassia, linking Florentia to Rome.  Today that street is called via Roma. The 2nd major roadway was the decumano running east-west. The former decumano  is now named both the via degli Strozzi and the via degli Speziali, running parallel to the Arno.

The cross-point of the Roman cardo and decumano is in current-day Piazza della Repubblica.  The sculpture that adorns the piazza marks the point of the intersection of the 2 Roman streets.

When standing in the piazza today, to appreciate Roman-era Florence, you must think away all of the currently standing 19th-century palazzi and glitzy cafes in the Piazza della Repubblica,  replacing them in your mind’s eye with ancient Roman temples, markets, and courts.  For, originally, this area was the Roman period Forum.

The map below shows you where Roman Florence existed within the context of the current city.

walls1

The map above outlines the original Roman walls, as well as Via Roma and Via del Corso, and shows you how Florentia, now approximately 3 meters below the modern Florence street level, continues to shape the fabric of the city.

Indeed, the Piazza Della Repubblica has very proud ancient origins for it was once the civic heart of the Roman city, the forum urbis. Around the square was the curia, the ancient senate, and a triad temple dedicated to pagan gods Jupiter, Juno, and Minerva.

If you walk north on via Roma, to the site of the present day Piazza del Duomo, this was the second Roman center of the city; its ruined temples are now buried beneath the Baptistry and Duomo.

South along what would have been the camp’s eastern wall, now the via del Proconsolo, a left turn at via degli Speziali leads to where the eastern city gate would have been. The east gate led to the city’s thermal baths, traces of which can be found inside a modern hotel.

Several street names pay homage to the Roman city, reminding passersby of the more ancient Florence that has been both literally and figuratively buried by history. For example, Via delle Terme  is sited where the Roman bath house was located.

via-delle-terme

Other traces of Rome survive: if you go west along via degli Speziali and turn right onto via delle Farine, you are led to Piazza Sant’Elisabetta. Here survives the Torre Bizantina della Pagliuzza, the oldest tower of Florence, dating back to the sixth century. It is now incorporated into Hotel Brunelleschi, which houses a museum in the tower containing artifacts found during the restoration, including ruins of a Roman calidarium, the classical version of a steam room.

Many other remnants of Roman life can be found. From Piazza della Signoria, which was also an open public space in its Roman past, one can find the former site of the ancient south gate in the city walls. (Near it, in front of the Chanel boutique, notice a map of the ancient Roman city to help guide you on.)  And, while you are in the Piazza della Signoria, be sure to notice an ancient Roman treasure. There are a few demure Roman works among the Renaissance statues in the Loggia di Lanzi: this elegant Roman woman pictured below is one such example.

roman-lady

After admiring the Roman lady, leave the piazza by walking along the north side of the Palazzo Vecchio on Via dei Gondi.  You will notice that the street slopes down. This is because you are walking down into the ancient Roman theater. The formerly steep steps are now nothing more than a slight slope, built over with centuries of history, but the parts of the theater still exist and you can visit them by going into the Palazzo Vecchio and buying a ticket to see the excavations.  That’s what I did yesterday.

The modern excavations have made it possible to bring back to light ruins of ancient thermal baths and other services related to this outdoor theater designed to accommodate 5,000 spectators.  The excavation is now open to the public and you enter the area from inside the courtyard of the Palazzo Vecchio.

We just walked down the sloping road that leads from the facade of the Palazzo Vecchio to the street behind it, the via dei Leoni.  The theater in its heyday would have looked something like the diagram below.

IMG_2288

A side elevation of the Roman theater would have resembled the diagram below, with increasingly large arches emanating from the stage area toward the back, where the balcony seats would have been.

IMG_2289

 

 

This is the site of a Roman semicircular theater along the back of Palazzo Vecchio and Palazzo Gondi (follow the curved street of via dei Leoni); the theater was positioned at a slight angle within the city walls and is clearly visible in the same old map.

 

images

 

IMG_2286

The diagram above shows the more or less rectangular Palazzo Vecchio situated on top of the Roman theater.  The theater is the shape that looks like a lemon wedge, with the rectangular Palazzo Vecchio superimposed on top of it.

The studies have shown that it was a relatively big theater, capable of seating 8000-10000 spectators; the auditorium (cavea) had its back towards Piazza della Signoria and the scene was along the actual Via dei Leoni. The theater remained active until the fifth century, then, following the crisis of the Roman Empire, it gradually fell into disuse and decay, subject to damage and looting.

The archaeological excavations brought to light some parts of the radial corridors, on which the auditorium was set in a semicircle, the vomitorium  (the central corridor through which the public could access the theater), and the edge of the orchestra platform.

pianta-grafica-scavi_big

During the following eras, the radial corridors of the theater (burelle) were used in various ways: as landfills, burial places, animal shelters or for a time even as prisons (12th and 13th centuries).
In the Medieval period, typical tower houses were built over the theater’s remains.
The construction and expansion of Palazzo Vecchio marked the ultimate demise of the Roman theater, the memory of which was gradually lost.

It’s only in the second half of the 19th century that the Roman remains “hidden” under Florence begin to resurface, especially during the heavy architectural transformation of the city due to the shift of the Italian capital to Florence in 1865.
Like other structures from the Middle Ages, subsequent layers have come to light: wells, the foundations of houses and other buildings.

Here are the pictures I took yesterday inside the excavations:

IMG_2251IMG_2252IMG_2253IMG_2254IMG_2255IMG_2256

IMG_2257

Then, looking further afield, there is the Via Vacchereccia, across from Palazzo Vecchio, leads to via Roma (which turns into via Calimala at this point; this is Italy and nothing is simple); this is where the south gate would have opened up to the ancient market place.

The south end walls continued along via delle Terme, turning 90 degrees north on what is now via de’ Tornabuoni. Where via de’ Tornabuoni and via degli Strozzi cross stood the west gate of the Roman city. The west walls turned at a right angle at what is now via dei Banchi, leading to via de’ Cerretani, and the north gate stood where via de’ Cerretani crosses via Roma.

Also from the Roman period, the current day Piazza San Firenze is the site of a Temple of Isis.

Before I end this long complicated post about Roman Florence, please notice the amphitheater, looking a lot like the Roman Colosseum, below.

This picture is of a wooden scale model of Fluentia, as it was originally laid out, with the semi-circular theater we’ve been discussing visible on the city’s walls, just above the model of the oval amphitheater.

https://en.wikipedia.org/wiki/Roman_Amphitheatre_of_Florence

Museo_Firenze_com'era,_plastico_Florentia_4

Outside the walls of the Roman castrum was a second Roman theater, just in front of what is now Piazza Santa Croce: its circular form is still traceable in via Torta and via de’ Bentaccordi.

images

Archeological excavations carried out for years by Archaeological Cooperative,

under the scientific direction of Superintendence for Archaeological Heritage of

Tuscany, revealed an ancient Roman amphitheater was located precisely under

what is nowadays, and was during the Renaissance, the heart of Florence,

Piazza della Signoria and Palazzo Vecchio. The discovery was announced

during the 2014 UNESCO World Forum on Culture and Cultural Industries.

The following sources informed this post:

https://florenceforfree.wordpress.com/2012/09/30/every-road-leads-to-rome-an-ancient-roman-walk-through-florence/

http://www.italymagazine.com/news/ancient-roman-amphitheater-unveiled-under-florences-piazza-della-signoria

http://www.turismo.intoscana.it/allthingstuscany/tuscanyarts/palazzo-vecchio-underground/

https://translate.google.it/translate?hl=en&sl=it&u=http://www.archeologicatoscana.it/strumenti/schede/&prev=search

 

And my later post.

Rome’s birthday and her rose and Japanese gardens

I’m headed to Roma soon!

Start your engines!

Rome its 2,770th birthday on Friday 21 April, with events lasting until Sunday 23 April. Known as Natale di Roma, the annual birthday celebration is based on the legendary foundation of Rome by Romulus in 753 BC.

 

On the roses, see:

http://www.wantedinrome.com/whatson/romes-rose-garden-2/

On Japanese garden, see:

http://www.wantedinrome.com/whatson/japanese-gardens-in-rome-3/

Villa Gamberaia, Settignano

There’s a beautiful spot just outside Florence.

images-5

Last week I paid my first visit to the Villa Gamberaia, the 17th-C villa near Settignano, in the hills just outside of  Florence.  It is a lovely trip out into the country and up into the colline beyond Firenze.

images-2

images-3

images-4

The villa has a lovely, formal 18th-century terraced garden, beautifully restored and open to anyone who presents themselves to the front gate.  There is an entrance fee.

IMG_2026IMG_2029IMG_2030IMG_2031IMG_2033
The villa, originally a farmhouse; was owned by Matteo Gamberelli, a stonemason, at the beginning of the 15th century. His sons Giovanni and Bernardo became famous architects under the name of Rossellino. After Bernardo’s son sold it to Jacopo Riccialbani in 1597, the house was greatly enlarged, then almost completely rebuilt by the following owner, Zenobi Lapi; documents of his time mention a limonaia and the turfed bowling green that is part of the garden layout today.

IMG_2027

IMG_2046IMG_2047IMG_2048IMG_2055

In 1717 La Gamberaia passed to the Capponi family. Andrea Capponi laid out the long bowling green, planted cypresses, especially in a long allée leading to the monumental fountain enclosed within the bosco (wooded area), and populated the garden with statues, as can be seen in an etching by Giuseppe Zocchi.

By that time, the villa already stood on its raised platform, extended to one side, where the water parterre is today. The parterre was laid out with clipped broderies in the French manner in the eighteenth century, as a detailed estate map described by Georgina Masson demonstrates. Olive groves have always occupied the slopes below the garden, which has a distant view of the roofs and towers of Florence.

images

IMG_2014

IMG_2017

IMG_2018

IMG_2019

IMG_2020

IMG_2021

IMG_2022

IMG_2025

The setting was praised by Edith Wharton, who saw it after years of tenant occupation with its parterre planted with roses and cabbages.  Wharton attributed the preservation of the garden at the Villa Gamberaia to its “obscure fate” during the 19th century, when more prominent gardens with richer owners, in more continuous attendance, had their historic features improved right out of existence.

IMG_2035

IMG_2039

IMG_2040

IMG_2042

Shortly after Wharton saw the villa, it was purchased in 1895 by Princess Jeanne Ghyka, sister of Queen Natalia of Serbia, who lived here with her American companion, Miss Blood, and thoroughly restored it.  It was she who substituted pools of water for the parterre beds.

During World War II, the villa was almost completely destroyed. Marcello Marchi restored it after the war, using old prints, maps and photographs for guidance.

Georgina Masson also wrote about seeing Villa Gamberaia;  she saw it after it was restored by Marchi.

IMG_2011IMG_2013IMG_2015IMG_2016

IMG_2044IMG_2045IMG_2053

The monumental fountain set in a grotto in the steep hillside at one lateral flank of this terraced garden has a seated god next lions in stucco relief in a niche decorated with pebble mosaics and rusticated stonework.

villa_gamberaia_01l

IMG_2064

IMG_2067IMG_2066IMG_2065IMG_2084IMG_2085IMG_2086IMG_2093IMG_2094IMG_2095IMG_2096IMG_2097IMG_2098IMG_2099IMG_2100IMG_2101IMG_2088IMG_2089IMG_2090IMG_2091IMG_2092IMG_2062IMG_2063

IMG_2057IMG_2059IMG_2060IMG_2061

IMG_2104IMG_2105IMG_2106IMG_2107IMG_2108IMG_2109

IMG_2113