My recent first trip back to the Uffizi allowed me to enjoy the famed museum without the usual crowds.  This is my idea of heaven.  Just look:

Come with me into the new Leonardo da Vinci and Andrea del Verrochio gallery. Look at the blissful moment capture below, during which I had the gallery almost to myself.

Andrea del Verrochio’s painting of the Baptism of Christ.  Verrochio’s student, Leonardo da Vinci, assisted in painting. Most notably, the far left angel.

Leonardo’s Annunciation in a virtually empty gallery. My idea of heaven.

More to come from my June 25, 2020 visit.

What a joy to return to this wonderful museum.  Despite the fact that Americans still can’t travel to Italy because of the Covid 19, I was surprised by the line outside the Uffizi.  Once inside, however, the crowds thinned out after the first few galleries.

I had the new Michelangelo and Raphael gallery virtually to myself.  Speaking of joy.  It was so meaningful to me to be able to get up close and personal again with these amazing works of art.

Michelangelo’s Doni Tondo:

The Uffizi says of this painting:
This painting dates to when Michelangelo returned to Florence after his first stay in Rome, the same period when the great artist sculpted the famous David.

The work (c. 1506-1508) is the only painting by Michelangelo in Florence and is one of the masterpieces of the 16th century Italian art.

During the Renaissance, the “tondo” was a typical work for private clients. This tondo was commissioned by the wealthy banker Agnolo Doni, probably at the time of his marriage to Maddalena, member of the very important Strozzi family.

The figures of Mary, Joseph and the Child, are grouped in a single volume in which the rotation of the Madonna gives the composition a spiral movement that will later be used by many artists. In the background a group of young nudes brings to mind a classic theme, symbolizing the pagan humanity still ignorant of Christian doctrine. It is also interesting to notice the beautiful carved wooden frame, designed by Michelangelo himself.

From the artistic point of view, the Tondo Doni laid the foundations of the so-called Mannerism, the style of painting that preferred bizarre, unnatural poses and iridescent colors to the composed painting of the XV century.

The Tondo Doni is therefore a very important work of art because it is one of the few examples of Michelangelo’s painting, together with the magnificent frescoes in the Vatican’s Sistine Chapel.

Raphael’s Madonna of the Goldfinch:

Raphael’s portrait of Guidobaldo da Montefeltro, 1503-06:

Raphael: Portrait of Elisabetta Gonzaga, 1503-06.

Raphael: Portraits of Agnolo Doni and Maddalena Strozzi, 1504-06/

The Uffizi has hung the Doni portraits in a manner allowing us to see the very interesting backs of the paintings:

Today (June 25, 2020) was a great day in Florence!