I love your funny face!

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Three years after her fabulous performance with Eddie Albert and Gregory Peck in the 1953 hit, Roman Holiday, Audrey joined forces with Fred Astaire to star in Funny Face.  This time the backdrop was Paris.  Not bad, eh?  First Rome and then Paris.  A good life for sure!

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Actress Kay Thompson, well-known author of the Eloise series of children’s books, joined Audrey and Fred in the production. Here’s a still of Miss Thompson in a great set using the hot colors of the late 1950s, pink and gray:

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The film was enhanced by the contributions of famed photographer Richard Avedon who designed the opening title sequence and consulted throughout. In fact, Astaire’s character in the film is a still photographer named Dick Avery, based upon Avedon. Here’s a picture of the photog.

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And here are a couple of famous shots he took of the luminous Miss Hepburn for Funny Face:

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Avedon supplied some of the still photographs used in the production, including its most famous single image: an intentionally overexposed close-up of Miss Hepburn’s face with only her famous eyes, eyebrows, nose and mouth. It is still recognizable as Audrey.

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Here’s how the famous still was used:

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Hepburn was actually Avedon’s muse in the 1950s and 1960s, and about her he said “I am, and forever will be, devastated by the gift of Audrey Hepburn before my camera. I cannot lift her to greater heights. She is already there. I can only record. I cannot interpret her. There is no going further than who she is. She has achieved in herself her ultimate portrait.”

Of course Miss H got to show off some of her famous dance skills in the movie:

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Including dancing with Mr. Astaire:

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Edith Head was again, as in Roman Holiday, responsible for the overall look and fashions Miss Hepburn wears in Funny Face.  Here is Miss Head with some of her sketches.

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This sketch provided the inspiration for the dress worn in the famous Avendon shots with Audrey and the balloons.

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The divine Miss Hepburn also wears sumptuous gowns designed by Hubert de Givenchy as below:

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Funny Face

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There is a silly plot involving the photographer Dick Avery and the bookstore intellectual turned model, Jo Stockton, played by Miss A.

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The fictional photog and model fuss and fume:

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And then they potentially marry:

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To find out if they do marry, you’ll have to watch the film! Here is a clue.

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There is a superfluous number called “think pink” that is a lot of fun:

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And of course the city of Paris plays a role as well. Here are two shots of Audrey set off by the River Seine.

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And even the Louvre and the famous Victory of Samothrace play a role in the gorgeous film.

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The entire extravaganza is a lot of fun to watch!  Just go and see!

Finally! The Letter A, which for me can only be Audrey. Part 1.

In case you hadn’t noticed, I tend to be very verbal.  However, there are just some times in life when words cannot express how I feel.  This is one of those times.  This woman is my idol.  I worship at her feet.  Color is not needed either.  Just black and white film, the model, and the camera.  Done. Perfection achieved.

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Photo of Audrey Hepburn

D = Diane von Furstenberg and the iconic wrap dress

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This woman is one of my favorites.

Born in Brussels in December of 1946, von Fürstenberg would study economics at the University of Geneva in Switzerland. She moved to Paris and worked as an assistant to Albert Koski, the fashion photographer’s agent.  Next she left Paris for Italy, to work as an apprentice to textile manufacturer Angelo Ferretti. It was in Italy that she designed and produced her first silk jersey dresses. She rose to prominence when she married into the German princely House of Furstenberg as the wife of Prince Egon of Furstenberg. Following their divorce in 1972, she continued to use his family name, although she was no longer entitled to use the title of princess.

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In 1970, with a $30,000 investment, von Fürstenberg began designing women’s clothes. She moved to New York, met with famed Vogue editor Diana Vreeland, who was kind enough to declare her designs “absolutely smashing,” and then had her name listed on the Fashion Calendar for New York Fashion Week.  Not a bad way to launch. It helps to have contacts. And thus her business was created.

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Miss v F is best known for her knitted jersey “wrap dress” first introduced 1974. One of her vintage wrap dresses is in the collection of the Costume Institute of the Metropolitan Museum of Art, having earned the spot as a result of the dress’s influence on women’s fashion design. The dress is feminine and flattering to many body types.  The fact that these wrap dresses were made from knitted jersey made them easier to wear than any woven fabric ever.

I know, I had one.  I wore it almost to death.

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After the phenomenal success of the wrap dress, von Fürstenberg was featured on the cover of Newsweek magazine in 1976. The cover picture was intended to be of Gerald Ford, the winner of the Republican presidential nomination, but at the last minute was changed to a picture of the gorgeous Miss v F in one of her own dresses. I don’t know about you, but I’d rather look at Miss v F any day rather than Gerald Ford.  Apparently the editors at Newsweek thought that would be the prevailing sentiment.  The accompanying article declared her “the most marketable woman since Coco Chanel.”

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During the mid to late 1970s, I was a serious aficionado of Miss Von Furstenburg’s designs.  I was between college and grad school and wasn’t earning a lot of money.  But I had to have one of these dresses that made the designer so famous.

Fortunately for me, I had the two necessary ingredients for getting one of these wrap dresses:  I had a mother who was a skillful seamstress and Miss Von Furstenburg’s willingness to create patterns for the home sewer for the Vogue company.  I rushed to Frederick and Nelson department store in downtown Seattle, where I was working as a stockbroker, and purchased the patterns and some of the green and white printed cotton jersey and shipped them to my mother.  A few weeks later, I was dressed in a Diane Von Furstenburg wrap dress and I was verrrryyyyy  happpppyyyyyy!

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Thanks mom!

I have always loved wearing dresses.  Always.  It just seems like the simplest way to dress to me.  One piece, shoes, you are done.  I love that!

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Miss Von Furstenburg is one of the most chic women ever.  I want to be just like her when I grow up.

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And while she has stayed true to her muse with full-skirted printed dresses, she has also stayed current with the times.

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You go girl!

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Everything she designs is designed to win.

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Here is our first lady, the fashionable Michelle Obama, wearing Miss Von Furstenburg just last month.  Lovely!

Jimminy Cricket, just because…

I didn’t post anything in the past two weeks doesn’t mean I didn’t do anything!

So, let me catch you up!

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I encountered a stand of hollyhocks while looking for an iced Americano.

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I went to see the exhibit at SAM on Japanese Fashion of the past 30 years.  Love this dress!

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Here’s another masterpiece from the exhibition.

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And one more in black that proves my point that turbans are under utilized!

 

What’s that you say? You didn’t know I had a position on the wearing of turbans?  Well I certainly do!

Here’s how I know:

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That’s me in the brown turban while in Morocco climbing a mountain of sand in the Sahara Desert.  I can tell you that turbans not only look good and add drama and mystery, they serve the useful purpose of keeping the sand out of your mouth and nose.

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This camel driver knows the truth!

Ciao, ragazzi!

S is for spending the summer with John Singer Sargent

Oh my goodness, I have been delinquent!  Sorry, let me get back —pronto— to the reverse alphabet of art. Last post was for the letter T and now I’m ready to move on to the letter S.  Andiamo!

Wouldn’t you love to be passing a summer afternoon with these ladies?  I would!  I bet they are discussing their beaus.

Or, taking a summer afternoon nap to escape the heat in this little outbuilding in Corfu?  I would!

Or, gliding in a gondola over the waterways of Venice?  I would!

Or, observing some exotic ceremony in some Middle Eastern country?  I would!

Or, playing some board game with your friends on some pretty bank of some lovely, cooling stream?  I would!  But I do wonder why all the women have their heads wrapped up in filmy cloth.  Too many insects, I presume.

Mosquito Nets by John Singer Sargent

One activity from which I prefer to be excused, is reading while under mosquito netting.  But, who wouldn’t like to look at the beautifully-painted image?  I would!

Or, painting a portrait of a gorgeous gentleman while sitting on classical balustrade next to a waterfall? I mean come on!  I would!

Or standing over water pouring out of a jet and into a pool, while dressed in your most elaborate summer whites. While pausing on a classical balustrade, next to some potted lemon trees in some magnificent Italian locale?  I would!

What child wouldn’t like to spend the evening hours, after the heat of the day has passed, dressed in your coolest cotton clothing, capturing fire flies in a flower garden?  I would!

Or fishing on the side of a cool stream with your feet in the water?  I would!

Or, preparing to dine on an outdoor terrace?  I would!

Or, best of all, who wouldn’t love to lie on the ground, sunk into your voluminous and gorgeous summer fashions and being painted all the while by one of the best painters of all time?  I would!

Who wouldn’t want to spend a summer with John Singer Sargent?

Keep cool, everybody! Arrividerla!

Japanese couturiers

I’m taking a break from the alphabet to talk about this fun exhibition I saw today at the Seattle Art Museum.  Plus the fact that the museum is air conditioned, which is a definite plus in this streak of hot weather here.

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Issey Miyake is just one of the designers included.  Here he is:

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Rei Kawakubo’s work was included.  Here she is:

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Here’s another design by Rei:

I just can’t resist adding another:

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And Yohji Yamamoto is in the exhibition:

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Here’s his picture:

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It’s a fun show and a cool place!

Y is for Yves Saint-Laurent.

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This great dress was designed by Yves Saint Laurent, the well-known French couturier, for his fall-winter collection of 1965-66.  Saint Laurent was born in Algeria in 1936, and would later in his life live in Morocco (see my earlier post on Saint Laurent’s fantastic garden in Marrakech), which gives his life a kind of North-African symmetry.  He called this The Mondrian Day Dress, 5.

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In the mid-1950s, designers started playing around with dress shapes, and the “sack dress” like this one by Christian Dior evolved as a fashionable new version of the shift. Saint Laurent had worked within this framework but was evolving away from the looseness of the format.  Of course, the French designer was also familiar with the flat planes of color in paintings by Piet Mondrian.

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So, Saint Laurent began boldly borrowing Mondrian’s color block idea and added it to the new shift design with which he was experimenting.

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By piecing together each block of colored jersey, and setting them into an overall “composition” reminiscent of Mondrian, he imperceptibly hid all of the shaping within the grid of seams to accommodate the body underneath. Saint Laurent achieved a new and exciting, while very referential, feat of dressmaking.  What terrific fun he must have had!

Costume Institute, Metropolitan Museum of Art

Costume Institute, Metropolitan Museum of Art

A couple of winters ago the Met had one of its amazing Costume Institute exhibitions, and just for fun and to celebrate the arrival of spring, I am going to post a few today.

DSCN4054This vivacious gown makes me think of the Nike of Samothrace at the Louvre.

DSCN4055This chic confection makes a nod to the past in the virginal white and closed composition.

DSCN4061 Such as these 18th century American frocks.

DSCN4072 And then there was this ultra modern beauty.

I love the Met’s Costume Institute shows!

Ciao for now, tutti!