
http://www.florencedailynews.com/2018/08/20/michael-bay-sets-6-underground-in-florence/
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Hat of the italian fashion designer Elsa Schiaparelli
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Roger-Viollet/Alinari
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Image date:
07/1938
Coll
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Marisa Berenson (on the right, born in 1947), American actress, her sister Berry Berenson and their maternal grandmother Elsa Schiaparelli (1890-1973), Italian-born French top designer.
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Roger-Viollet/Alinari
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Image date:
1965
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Roger-Viollet/Alinari
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The pillar silhouette returns: Lady Lionel Earle in a column dress of black mousseline gaufree by Elsa Schiaparelli. It is worn together with a Crusades-inspired Ihram of gold filet and pailettes. Date: 1935
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© Mary Evans / Alinari Archives
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© Mary Evans / Alinari Archives
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Two hat designs by the eccentric and inventive Elsa Schiaparelli (Sciaparelli). One has a large pink hat-band, the other a short black veil. Date: 1938
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© Mary Evans / Alinari Archives
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© Mary Evans / Alinari Archives
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Elsa Schiaparelli, French needlewoman of Italian origin, in 1936
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Roger-Viollet/Alinari
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Image date:
1936
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Italy
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Schiaparelli Elsa
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Roger-Viollet/Alinari
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The brand-maker and stylist Emilio Pucci with a model on the terrace of Palazzo Pucci in Florence
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Fosco Maraini/Gabinetto Vieusseux Property©Fratelli Alinari
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Florence
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Image date:
1955
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Florence, Palazzo Pucci
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Pucci Emilio
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Fosco Maraini/Gabinetto Vieusseux Property©Fratelli Alinari
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The designer Emilio Pucci creation of the 1965-1966 collection. Model wears a wool dress coat-colored geranium characterized by a drawing in a herringbone pattern and the front buttons. The hat, reminiscent of a helmet, is matched to the dress
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TopFoto / Alinari Archives
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Image date:
06/08/1965
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Florence
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TopFoto / Al
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Stylist creation Emilio Pucci Spring-Summer collection of 1965. The model is wearing a violet suit with short single-breasted jacket with three buttons and three-quarter sleeves. The knee-length skirt with faux pockets on the sides
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TopFoto / Alinari Archives
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Image date:
25/01/1965
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Florence
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TopFoto /
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The designer Emilio Pucci creation of the autumn-winter collection 1965. The model is wearing a “ghost style dress” down to his feet with pyramid line. And ‘it meshes green-red bicolor and ocean and has a cross-neckline
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TopFoto / Alinari Archives
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Image date:
06/08/1965
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Florence
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TopFoto /
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A creation of the fashion designer Emilio Pucci in Florence of the autumn-winter collection of 1965. The model is wearing a cream-colored wool skirt to the knee and a short jacket with reversible barrel neck cream and beige, a hat with a rounded chin. In the background the dome of Florence Cathedral
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2000 / TopFoto / Alinari Archives
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Image date:
05/08/1965
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Florence
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TopFoto / Alinari Archives
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Parade of swimsuits of the fashion designer Emilio Pucci in Florence on November 11, 1968
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2005 / TopFoto / Alinari Archives
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11/11/1968
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Florence
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TopFoto / Alinari Archives
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Creation of the fashion designer Emilio Pucci of the winter collection of 1965. The model is wearing a fancy dress printed velvet knee-deep with matching stockings. The dress is yellow, periwinkle and black
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2005 / TopFoto / Alinari Archives
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Image date:
05/08/1965
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Florence
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TopFoto / Alina
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Creation of the fashion designer Emilio Pucci Spring Summer collection 1965. The model is wearing a patterned shirt with “batwing sleeves” and a straw hat
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2006 / TopFoto / Alinari Archives
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Image date:
1965
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Florence
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TopFoto / Alinari Archives
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Emilio Pucci in his fashion shop before attempting to make a name in politics, Florence
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1999 / TopFoto / Alinari Archives
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Image date:
1963
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Florence
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Pucci Emilio
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TopFoto / Alinari Archives
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Colorful Pyjama outfit from collection of Emilio Pucci, worn by Sandra Bernloher
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2005 / TopFoto / Alinari Archives
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Location:
Pisa
Image date:
21/07/1965
Place of photography
Pisa
Collection:
TopFoto / Alinari Archives
BPK-S-AA5021-5790
The surrealists in the autumn of 1942: in the last row Jimmy Ernst, Peggy Guggenheim, John Ferren, Marcel Duchamp and Piet Mondrian, in the center row Max Ernst, Amédée Ozenfant, André Breton, Fernand Léger and Berenice Abbott, Stanley William Hayter, Leonora Carrington. Photography by Hermann Landshoff in the Münchner Stadtmuseum in Munich
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Münchner Stadtmuseum, Sammlung Fotografie / Archiv Landshoff / BPK/Alinari Archives
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Image date:
1942
Personaggio:
Ernst Max, Duchamp Marcel, Léger Fernand, Guggenheim Peggy (1898-1979), Mondrian Piet, Breton André (1896-1966), Carrington Leonora (1917-2011)
Collection:
BPK/Alinari Arch

At the end of the 1960s, a contest was announced to commemorate the Florentine architect Bernardo Buontalenti, who is known to have invented the ice cream known as “gelato.”
Gelateria Badiani won a prize with a simple yet unique flavor, indeed called Buontalenti. Since then, this special cream based flavor has conquered the palate of Florentines and all good gelato lovers.
Despite many imitation attempts, Badiani’s gelateria is the only home of the real Buontalenti. And, it is still the most sought after flavor.

It’s been said that the first to make true gelato, creamy and frozen as we know it today were the Florentines in 15th century.
It allegedly happened like this: during the mid 1500s, Cosimo I de’ Medici, elegant Lord of Tuscany, designated Bernardo Buontalenti to organize special festivities. The Lord intended to astonish a delegation of the King of Spain for political reasons, to support of Cosimo’s intention to incorporate Siena in the dukedom.
Bernardo Buontalenti, architect and creative figure, directed shows and fireworks and set up a program of festivities like no one ever before. He arranged sumptuous banquets, at the end of which he served a frozen cream to which he had added a very precious spice that was coming from the newly discovered Americas: sugar.

The Spanish delegation was enthusiastic with great satisfaction of the Grand Duke, who had to hire a number of cooks who could continuously prepare gelato.
However, it was thanks to Caterina de’ Medici, then Queen of France, that gelato spread across Europe beginning during the second half of the century. Since then the Queen summoned Florentine pastry chefs who had learned that art and she always served gelato to her guests, kings and diplomats, who then returned to their homelands with the recipe.

And, just for fun, here’s a vintage photo showing the ever popular combination of children and gelato, especially in Florence!


An old view of Florence on a postcard of the Piazza della Verzaia, showing the medieval walls that still surrounded Florence. The photo would have had to be made before c. 1865, for when Florence was the Capital of Italy (1865-1871), the city walls were demolished.
You can find great info on Florence’s walls here: http://www.firenze-oltrarno.net/english/arte/mura.php
Today’s Excelsior Hotel in Florence looks like this

It was originally named the Grand Hotel de la Ville, seen here in an old postcard from the late 19th-century.

The location of the palazzo which has housed hotels with several names, has always been prime real estate in beautiful Firenze.
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Two oxen pull a cart with a block of marble on the rails
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Archivi Alinari, Firenze
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Image date:
1920-1930
Place of photography
Massa Carrara
Collection:
Fratelli Alinari Museum Collections-Falzone del Ba
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The quarries of Carrara
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Archivi Alinari, Firenze
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Image date:
27/09/1918
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Carrara
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Fratelli Alinari Museum Collections, Florence
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“Marina di Carrara, a ship under load”: vessel used for transporting marble
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Archivi Alinari, Firenze
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1915 – 1925
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Carrara, Marina di Carrara
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Fratelli Alinari Museum Collections, Florence
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“Marina di Carrara, Carico dei Velieri”: marble blocks ready to be loaded on a ship
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Archivi Alinari, Firenze
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1915-1920
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Carrara
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Fratelli Alinari Museum Collections, Florence
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“Carrara – Exterior of the Laboratory of the Comm. Carlo Nicoli, block of 52 tons”: a block of marble transported in the laboratory
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Archivi Alinari, Firenze
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1915 – 1925
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Carrara
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Fratelli Alinari Museum Collections, Florence
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“Carrara – Miners on the Tecchia”: quarriers on the Apuane
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Archivi Alinari, Firenze
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1915-1920
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Carrara
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Fratelli Alinari Museum Collections, Florence

Piazza della Signoria, Firenze. Fase animata di partita di Calcio Storico Fiorentino. Foto del 1931.

From the book by Clara Louise Dentler: 
Where Greenough lived, worked, or exhibited in Florence:
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