How we are lucky to catch whatever we can, for however long we have, in peace, under a blue sky, in late summer.
Uncategorized
What to wear for the monsoon
Having lived all of my life outside of India and other countries that experience a monsoon season, I never really thought about living in a monsoon, let alone what one would wear for that experience!
I really enjoy blogging. It’s a good thing to like, because otherwise, it would be very easy to stop.
The occasional response from a reader is one of the most enjoyable parts of blogging. For example, I just got this notification from my WordPress host that someone in India liked a recent post of mine (the last one on Grace Kelly) and made a comment. It is up to me to decide if I approve the comment or not. I did.
But what was really funny to me is this notification:
(name omitted by me) liked your post on get back, lauretta!
They thought Grace Kelly, a selection was pretty awesome.
You should go see what they’re up to. Maybe you’ll like their blog as much as they liked yours!
Great posts worth seeing from (name omitted by me):
Shortlisted #1
Daily Essentials for Workplace
Here is the Most Fashionable Piece to wear in the Monsoon
Grace Kelly, a selection
IFA-S-AAA079-0085
Grace Kelly (1928-1982), American actressPrincess of Monaco for his marriage to Rainier III,
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Index/Alinari Archives, Florence
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Permission must be required for non editorial use. Please contact Alinari Archives
Collection:
Index/Alinari Archives, Florence
TOP-F-030815-0000
Cheek to cheek. Oscar and beautiful Grace Kelly.She won the academy award for Best Actress in 1954 for her role in “The Country Girl”1955, Personalities, Grace Kelly
Mandatory photo credit:
2005 / TopFoto / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
1954
Collection:
TopFoto / Alinari Arc
RCT-F-051388-0000
Grace Kelly on the day of her marriage to Ranieri of Monaco
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Toscani Archive/Alinari Archives Management, Florence
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Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1956
Place of photography
Monaco
Collection:
Toscani Archive/Alinari Archives Management, Florence
ULL-F-039770-0000
Frank Sinatra (1915-1998) with Grace Kelly in “High Society”, 1956
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Ullstein Bild / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
1956
Collection:
Ullstein Bild / Alinari Archives
LLA-S-00HP04-0454
Prince Rainier of Monaca and Grace Kelly at the airport.
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Luigi Leoni Archive / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1956-1960
Place of photography
Italy
Personaggio:
Ranieri III Grimaldi, Kelly Grace
Collection:
Luigi
VEL-F-046355-0000
Grace Kelly and Prince Ranieri III in Rome: Crowd in Via del Corso awaiting the arrival of Monaco princes. In the background, the Alinari store
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Luce Institute/Alinari Archives Management, Florence
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Permission must be required for non editorial use. Please contact Alinari Archives
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Image date:
03/05/1957
Place of photography
Rome, via del Corso
Collection:
Luce Institute/Alinari Archives Management, Florence
TOP-F-247938-0000
Prince Rainer of Monaco with Princess Grace 1956
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2005 / TopFoto / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
1956
Place of photography
Monaco
Collection:
TopFoto / Alinari Archives
TEA-S-470206-B05B
Grace of Monaco (Grace Kelly 1929-1982) with Prince Ranieri (Ranieri III 1923-2005) visiting the Capitol in Rome
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Archivi Alinari, Firenze
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Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1970
Place of photography
Rome
Personaggio:
Ranieri III Grimaldi, Kelly Grace
Collection:
Team/Alinari
TEA-S-470206-B35A
Grace of Monaco (Grace Kelly 1929-1982) visiting the Capitol in Rome
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Archivi Alinari, Firenze
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Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1970
Place of photography
Rome
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Team/Alinari
TEA-S-470206-B16B
Grace of Monaco (Grace Kelly 1929-1982) visiting the Capitol in Rome
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Archivi Alinari, Firenze
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Photographer:
Image date:
1970
Place of photography
Rome
Collection:
Team/Alinari
CCA-F-000362-0000
To Catch a Thief, 1955, Alfred Hitckock, Grace Kelly, Carry Grant, Jessie Royce Landis, John Williams, USA
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Paramount pictures / Collection Christophel/Alinari Archives
Permission and restrictions:
Editorial use only
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
1955
Place of photography
United States
Collection:
Collection Christophel/Alinari Archives
TOP-S-HIP022-4594
Princess Grace and Prince Rainier of Monaco, grand masquerade ball, Ca’ Rezzonico, Venice, 1966
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Keystone Archives/HIP / TopFoto / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
1966
Place of photography
Venice, Ca’ Rezzonico
Personaggio:
Ranieri III Grimaldi, Kelly Grace
Collection:
TopFoto / Alinari
FVA-S-117002-0148
Grace Kelly attending a masquerade party in Ca’ Rezzonico, Venice
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Archivi Alinari, Firenze
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Photographer:
Image date:
09/09/1967
Place of photography
Venice, Ca’ Rezzonico
Collection:
Alinari Archives-Ferruzzi Donation, Florence
FVA-S-117002-0151
Grace Kelly attending a masquerade party in Ca’ Rezzonico, Venice
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Archivi Alinari, Firenze
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Photographer:
Image date:
09/09/1967
Place of photography
Venice, Ca’ Rezzonico
TOP-S-HIP004-6811
Princess of Monaco Grace Kelly (1929-1982), reads the story of the Nativity for Yorkshire Television
Mandatory photo credit:
Keystone Archives/HIP / TopFoto / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
1973
Place of photography
Great Britain
Gio Ponti, a selection of artworks
MBA-F-084746-0000
Church of San Francesco d’Assisi al Fopponino: west façade, Giò Ponti (1891-1979), Milan
Mandatory photo credit:
Schtze-Rodemann / Bildarchiv Monheim / Alinari Archives
Copyright:
ARTIST’S COPYRIGHT MUST ALSO BE CLEARED : The utilization of works by artists who are living or who died less than 70 years ago requires the additional authorization of the copyright holder or their agent, which often coincides with your country’s National Rights Society (DACS in the UK, ADAGP in France, VG Bildkunst in Germany, SIAE in Italy etc.).
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Artist:
Ponti, Giovanni called Gio (1891-1979)
Date of artwork:
1961-1964
Style and artistic movement:
Rationalist Architecture
Location:
Milan
Photographer:
Place of photography
Milan
Collection:
Bild
VBA-S-004298-2333
View of Pirelli skyscraper called “Pirellone” in Duca d’Aosta square in Milan. The fixtures are of the “La Curtisa” company in Bologna
Mandatory photo credit:
Archivi Alinari, Firenze
Copyright:
ARTIST’S COPYRIGHT MUST ALSO BE CLEARED : The utilization of works by artists who are living or who died less than 70 years ago requires the additional authorization of the copyright holder or their agent, which often coincides with your country’s National Rights Society (DACS in the UK, ADAGP in France, VG Bildkunst in Germany, SIAE in Italy etc.).
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Permission must be required for non editorial use. Please contact Alinari Archives
Artist:
Ponti, Giovanni called Gio (1891-1979) –
Studio Ponti-Fornaroli-Rosselli –
Studio Valtolina-Dell’Orto
Date of artwork:
1955-1960
Style and artistic movement:
International Art of 20th Century
Rationalist Architecture
Contemporary art
Location:
Milan
Photographer:
Image date:
04/06/1959
Place of photography
Milan, Duca d’Aosta square
Collection:
Alinari Archives-Villani Archive, Florence
DEA-S-009500-0396
Italy, 20th century Chair. Aluminum, vynil, bakelite. Designer Giò Ponti for the Montecatini Office Building, Milan, 1938
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DeA Picture Library, licensed by Alinari
Copyright:
ARTIST’S COPYRIGHT MUST ALSO BE CLEARED : The utilization of works by artists who are living or who died less than 70 years ago requires the additional authorization of the copyright holder or their agent, which often coincides with your country’s National Rights Society (DACS in the UK, ADAGP in France, VG Bildkunst in Germany, SIAE in Italy etc.).
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DeA Picture Libra
DEA-S-009400-2812
Glassware, Italy, 20th century Morandian bottles Designer Giò Ponti, 1946 Manufactured 1956
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DeA Picture Library, licensed by Alinari
Copyright:
ARTIST’S COPYRIGHT MUST ALSO BE CLEARED : The utilization of works by artists who are living or who died less than 70 years ago requires the additional authorization of the copyright holder or their agent, which often coincides with your country’s National Rights Society (DACS in the UK, ADAGP in France, VG Bildkunst in Germany, SIAE in Italy etc.).
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Collection:
DeA Picture Library, lic
DEA-S-00A300-1330
Green ceramic vase designed by Gio Ponti (1891-1979), Richard Ginori manufactory of Doccia
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DeA Picture Library, licensed by Alinari
Copyright:
ARTIST’S COPYRIGHT MUST ALSO BE CLEARED : The utilization of works by artists who are living or who died less than 70 years ago requires the additional authorization of the copyright holder or their agent, which often coincides with your country’s National Rights Society (DACS in the UK, ADAGP in France, VG Bildkunst in Germany, SIAE in Italy etc.).
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Artist:
Ponti, Giovanni called Gio (1891-1979)
Date of artwork:
1925-1930
Style and artistic movement:
International Art of 20th Century
Photographer:
Collection:
DeA Picture Library
MFV-F-V00036-0000
Antonio Maraini and Gio Ponti by a fireplace in Torre di Sopra, Florence
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Fosco Maraini/Gabinetto Vieusseux Property©Fratelli Alinari
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Image date:
1930 ca.
Place of photography
Florence, Torre di Sopra
Personaggio:
Ponti Gio, Maraini Fosco
Collection:
Fosco Maraini/Gabinetto Vieusseux Property©Fratelli Alinari
Villa la Quiete, Firenze
I recently visited, on a lovely parcel of land just outside of beautiful Firenze, a once-magnificent villa known as Villa la Quiete. Located upon the Castello hill, at the foot of the Monte Morello, this villa is considered to be among the most important settings of its kind. It takes its name from a fresco by Giovanni da San Giovanni entitled, La Quiete, which dominates the winds (see below).



The Medici family particularly loved this area and owned some of its most beautiful residences, including the Villa di Careggi, Villa di Castello, and the Villa della Petraia. You can locate Villa la Quiete on these 2 Google Earth slides below and, in the last one, also locate the 3 Medici villas just mentioned.


This parcel of land has lots of history, naturally. In 1438 it was given by the Florentine Republic to the condottiere Niccola da Tolentino, for his military services. In 1453 the Medici acquired the land, and later Cosimo I passed it to the commander of the Order of Santo Stefano.

In 1627 the property was again acquired by a Medici, this time by Cristina di Lorena. She had the palazzo rebuilt, and had a suspended passage constructed (a small variant of the Vasari Corridor), connecting the villa to a nearby Camaldolese monastery. Cristina also commissioned the painting of la quiete che pacifica i venti, by Giovanni da San Giovanni in 1632.

Cristina’s name even appears in another fresco, by Giovanni da San Giovani. in which curious anagram masquerading as a hymn inscribed on a scroll supported by putti in flight.
The villa has, thereafter, been known as Villa la Quiete.

The complex was bequeathed to Cristina’s grandson, the Grand Duke Ferdinando II. Later on, in 1650, the villa was sold to Eleonora Ramirez de Montalvo, who dedicated it as a country retreat for a congregation she founded, the Montalves. At that time the villa was called Istituto della Quiete.

After Eleonora’s death, her friend the Grand Duchess Vittoria della Rovere administered the Institute, and sponsored the construction of the Montalve church, completed in 1688.
Anna Maria Luisa de’ Medici, the last descendant of the Medici family, resided in the villa between 1720 and 1730 and she furnished it with objects from the Palazzo Vecchio and Palazzo Pitti.
Anna Maria had the villa renovated and redecorated and she installed a beautiful grand garden, bringing water to it by a pipe to the nearby Fonte delle Lepricine.

The director of this new, vast garden was the botanist Sebastiano Rapi, who just happened to be the person in charge of the Giardino Boboli. Rapi, with the support of Anna Maria, brought the best botanical and fruit species from the various Medici villas.
Even today, the specimen magnolia trees they selected still grow in a courtyard connecting the garden to the palazzo.

The garden today remains one of the rare examples of an 18th-century garden, with no changes in the plantings, other than refreshing them. You can see the layout of the formal, rectangular gardens, lined with pots of lemon trees, in the Google slide:

The secular order of Montalve, dedicated to the education of girls of good family, only had to abandon their church of San Jacopo di Ripoli in 1886, and they brought their numerous furnishings and works of art with them to the Villa la Quiete.
It was only in 1937 that the order became religious. The villa complex remained for a long time the seat of the education institute, ending only in 1992. The last pupil graduated in 2001.
In February 1992 the villa, together with the entire real estate of the Conservatory of the Montalve alla Quiete, passed University of Florence. A small part of the villa has been used by the University for the Center for Culture for Foreigners and Polo offices.
It is possible to visit the villa, as I did, only by appointment and in the months of July and August on Tuesday and Thursday evenings. To arrange a visit, contact the Ufficio Servizi Didattico Divulgativi, Sistema Museale D’Ateneo, tel 055-2756444 or by email to edumsn@unifi.it.
In a few days I will be writing a post about the artworks located in the villa.

Had I been somewhat older when I was younger…
“The thought strikes me, as it has so often in thinking things over, that had I been somewhat older when I was younger, how much more I could have profited by my opportunities” said by artist Elihu Vedder.
Vedder, Elihu. The Digressions of “V”: Written for His Own Fun and That of His Friends. Boston: Houghton, 1910
Sirpa Salenius. Sculptors, Painters, and Italy: Italian influente on Nineteenth American Art: 3 (OltreOceano) (Kindle Locations 1805-1807). Simplicissimus. Kindle Edition.
The Italian invention of ice cream and sorbets

“Waters, Cordials, Sorbets, and Ice Creams”
Italians were the undisputed masters in developing methods of chilling and freezing drinks. “The real way to make all kinds of waters and cordials in the Italian style” was disclosed to the French in 1692 in a chapter in Audiger’s La maison reglée. Thirty years earlier, the same Audiger tried to obtain from the French king the exclusive right to “manufacture and sell all types of cordials in the Italian style.”
This indicates the acknowledgment of a truly Italian invention that was already at least a hundred years old. The custom of chilling drinks—by mixing snow or ice with water, wine, or any other drink—had spread throughout Italy in the second half of the sixteenth century, though against the advice of many doctors. In larger cities this custom spread among the masses, if we are to believe a comment made by a Roman physician in 1603.
The creation of sorbet resulted from experiments in chilling drinks, and it too became a matter of myth. Supposedly, sorbet was also brought to France by Catherine de’ Medici (and who could doubt it?). There is no documentary evidence to support this hypothesis, however, and we cannot prove that the art of sorbet making was already practiced in Italy in the middle of the sixteenth century.
Yet we certainly know that sorbets—already developed to a degree of remarkable sophistication—were sold in special shops a century later, most notably in Venice and Naples. When Antonio Latini, a native of the Marches, took up service at the court of Naples in 1659, he had the impression “that everyone [in the city] was born with a special skill and instinct for making sorbets.” This pursuit was not limited to experts, however, but was also practiced by “persons of little learning,” as Latini informs us in his brief “Treatise on Various Kinds of Sorbets, or Water Ices.”
His short essay, included in the book on stewardship and cooking that he composed at the end of his career, between 1692 and 1694, contains the first written recipes on how to mix sugar, salt, snow, and lemon juice, strawberries, sour cherries, and other fruit, as well as chocolate, cinnamon water, and different flavorings. There is also a description of a “milk sorbet that is first cooked,” which we could regard as the birth certificate of ice cream.

De’ sorbetti, the first book entirely dedicated to the art of making frozen confections, was published in Naples in 1775. Its author, Filippo Baldini, discusses different types of sorbets, some made with “subacidic” fruits, such as lemon, orange, and strawberry, and others made with “aromatic” ingredients, such as chocolate, cinnamon, coffee, pistachio, and pine nuts. A separate chapter deals with “milky sorbets,” meaning ice creams, whose medical properties are vigorously proclaimed. Literary works echo this trend. The “sorbettiera” (sorbet maker) is celebrated in a canzonetta written by Lorenzo Magalotti,147 and Parini’s young protagonist (il giovin Signore) concludes each day with the sweet, cool taste of a chocolate or coffee sorbet.148 Sorbets were produced side by side with the “flavored waters” that captivated Audiger. During his visit to Italy he wrote:
I made a vigorous effort to neglect nothing connected to confectionery and cordials and to perfect the art of making all kinds of waters, with flowers or fruits, chilled or not, sorbets, custards, barley waters, pistachio waters, and others made with pine nuts, coriander, aniseed, fennel, and every type of grain, and to give them a good flavor by emphasizing their own best qualities. I also learned how to distill all kinds of flowers, fruits, cereals, and other substances, distilling them in both cold and warm conditions, and to prepare chocolate, tea, and coffee.
Capatti, Alberto. Italian Cuisine: A Cultural History (Arts and Traditions of the Table: Perspectives on Culinary History) (p. 111). Columbia University Press. Kindle Edition.
Twiggy, a selection of photographs from Fratelli Alinari, Florence
RVA-S-012081-0010
Twiggy, top model.
Mandatory photo credit:
Roger-Viollet/Alinari
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Permission must be required for non editorial use. Please contact Alinari Archives
Collection:
Roger-Viollet/Alinari
TOP-F-535403-0000
Twiggy (Leslie Hornby) working in New York on a fashion tour flew over hairdresser, Leonard, from London at a cost of £254.11s. The hairdo cost 3 guineas.13th April 1967 , Personalities, Twiggy
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2005 / TopFoto / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
13/04/1967
Place of photography
United States, New York
Collection:
TopFoto / Alinari A
Audrey Hepburn in Rome, a selection of vintage photos from Fratelli Alinari
TEA-S-000440-0002
The actress Audrey Hepburn walking in the Piazza di Spagna with a bouquet of flowers in her hand.
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Archivi Alinari, Firenze
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Image date:
1960 – 1970
Place of photography
Rome, piazza di Spagna
Personaggio:
Hepburn Audrey
Collection:
Team/Alinari
TEA-S-000440-0004
A smiling Audrey Hepburn walking on a street in Rome at night.
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Archivi Alinari, Firenze
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Photographer:
Image date:
1960 – 1970
Place of photography
Rome
Personaggio:
Hepburn Audrey
DIL-S-00096D-0015
Journalists and paparazzi at Ciampino airport for the arrival of Audrey Hepburn and Mel Ferrer
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Luce Institute/Alinari Archive Management, Florence
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Image date:
1960 ca.
Place of photography
Ciampino
Personaggio:
Hepburn Audrey, Ferrer Mel
Collection:
Luce Institute/Alinari Archive Management, Florence
DIL-S-000278-0027
Audrey Hepburn arriving at Ciampino airport with Mel Ferrer
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Luce Institute/Alinari Archive Management, Florence
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Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1959
Place of photography
Ciampino
Personaggio:
Hepburn Audrey
Collection:
Luce Institute/Alinari Archive Management, Florence
DIL-S-000278-0035
Audrey Hepburn during a photo shoot at Trinità dei Monti
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Luce Institute/Alinari Archive Management, Florence
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Photographer:
Image date:
1959
Place of photography
Rome, Trinità dei Monti
Collection:
Luce Institute/Alinari Archive Management, Florence
DIL-S-000278-0042
Audrey Hepburn buying postcards
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Luce Institute/Alinari Archive Management, Florence
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Photographer:
Image date:
1959
Place of photography
Rome
Collection:
Luce Institute/Alinari Archive Management, Florence
DIL-S-000278-0068
Audrey Hepburn arriving at Leonardo da Vinci airport of Fiumicino, Rome
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Luce Institute/Alinari Archive Management, Florence
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Photographer:
Image date:
1960 ca.
Place of photography
Rome, Fiumicino
Collection:
Luce Institute/Alinari Archive Management, Florence
DIL-S-000278-0083
Audrey Hepburn meeting journalists upon her arrival to Fiumicino airport
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Luce Institute/Alinari Archive Management, Florence
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Photographer:
Image date:
1960 ca.
Place of photography
Rome, Fiumicino
Collection:
Luce Institute/Alinari Archive Management, Florence
Audrey Hepburn, a selection of vintage photographs
CCA-F-001830-0000
Sabrina Fair/La Vie en Rose, Sabrina, 1954 Billy Wilder, Audrey Hepburn, USA
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Mandatory Credit Film / Collection Christophel/Alinari Archives
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CCA-F-001831-0000
Sabrina Fair/La Vie en Rose, Sabrina, 1954 Billy Wilder, Audrey Hepburn, USA
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Mandatory Credit Film / Collection Christophel/Alinari Archives
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CCA-F-001833-0000
Sabrina Fair/La Vie en Rose, Sabrina, 1954 Billy Wilder, Audrey Hepburn, USA
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Mandatory Credit Film / Collection Christophel/Alinari Archives
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WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Collection:
Collection Christophel/Alinari Archives
CCA-F-001561-0000
My fair lady, 1964 George Cukor, Audrey Hepburn, Rex Harrison, Gladys Cooper, Jeremy Brett, UK, USA
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Mandatory Credit Film / Collection Christophel/Alinari Archives
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CCA-F-001562-0000
My fair lady, 1964 George Cukor, Audrey Hepburn, UK, USA
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Mandatory Credit Film / Collection Christophel/Alinari Archives
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Editorial use only
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Collection:
Collection Christophel/Alinari Archives
ULL-F-237040-0000
British actress Audrey Hepburn (1929-1993) with the Italian actress Gina Lollobrigida at the Victoire Preises delivery ceremony in Paris
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Interpress Paris / Ullstein Bild / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
29/10/1965
Place of photography
France, Paris
Personaggio:
Lollobrigida Gina, Hepburn Audrey
Collection:
Ullstein Bild / Alinari Archives
TOP-S-HIP023-7661
Gina Lollobrigida presents Audrey Hepburn with the Victoire du Cinema Francais award
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Keystone Archives / HIP / TopFoto / Alinari Archives
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Image date:
1964 ca.
Personaggio:
Lollobrigida Gina, Hepburn Audrey
FIA-F-031446-0000
Breakfast at Tiffany’s (movie poster), 1961, Offset printing, Anonymous, Private Collection
Mandatory photo credit:
Fine Art Images/Alinari Archives, Firenze
Permission and restrictions:
Not available for France and Russia
Copyright:
ARTIST’S COPYRIGHT MUST ALSO BE CLEARED : The utilization of works by artists who are living or who died less than 70 years ago requires the additional authorization of the copyright holder or their agent, which often coincides with your country’s National Rights Society (DACS in the UK, ADAGP in France, VG Bildkunst in Germany, SIAE in Italy etc.).
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Collection:
Fine Art Images/Alinari Archives, Firenze
INT-F-021002-0000
movie, Breakfast at Tiffany’s, USA, 1961, director: Blake Edwards, scene with: Audrey Hepburn, Tiffany, after novel, by Truman Capote, Tiffany, full length, smoking cigarette, cigarette holder, long, handgloves, dress, paravent,
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Archiv Friedrich / Interfoto/Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
TOP-F-977339-0000
Check-In Alitalia in Airport of Fiumicino, Rome
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2005 / TopFoto / Alinari Archives
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Image date:
19/10/1961
Place of photography
Great Britain, Londra
Personaggio:
Hepburn Audrey
TOP-F-541421-0000
Film actress Audrey Hepburn in turban style hat arrives at London Airport from New York.21st May 1953, Personalities, Audrey Hepburn
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2005 / TopFoto / Alinari Archives
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Permission must be required for non editorial use. Please contact Alinari Archives
Image date:
21/05/1953
Place of photography
Great Britain, London
Personaggio:
Hepburn Audrey
DAD-S-000079-0040
Audrey Hepburn at a press conference
Mandatory photo credit:
Luce Institute/Alinari Archives Management, Florence
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1960 ca.
Place of photography
Italy
Personaggio:
Hepburn Audrey
Collection:
Luce Institute/Alinari Archives Management, Florence
DAD-S-000079-0044
Audrey Hepburn at a press conference
Mandatory photo credit:
Luce Institute/Alinari Archives Management, Florence
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1960 ca.
Place of photography
Italy
Personaggio:
Hepburn Audrey
Collection:
Luce Institute/Alinari Archives Management, Florence
DAP-S-000177-0001
Audrey Hepburn during a press conference, smiling beside actor Mel Ferrer
Mandatory photo credit:
Luce Institute/Alinari Archive Management, Florence
WARNING:
Permission must be required for non editorial use. Please contact Alinari Archives
Photographer:
Image date:
1950-1960
Place of photography
Italy
Personaggio:
Hepburn Audrey, Ferrer Mel
Collection:
Luce Institute/Alinari Archive Management, Florence
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