June 2, Republic Day in Italy

Festa della Repubblica (Festival of the Republic) is a national holiday celebrated in Italy on June 2 each year. It celebrates the day when Italians voted to abolish the monarchy in 1946 so their country could become a republic.

The day commemorates the institutional referendum in 1946, in which the Italian people were called to the polls to decide on the form of government, following WWII and the fall of Fascism.  With 12,717,923 votes for a republic and 10,719,284 for the monarchy, the male descendants of the House of Savoy were sent into exile and Italy became a republic.

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Each year, a wreath is laid at the Tomb of the Unknown Soldier on Republic Day. The tomb has an eternal flame that was added on November 4, 1921, even thought the tomb, which was designed by sculptor Alberto Sparapani, was not completed until 1924.

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To recognize this holiday, official ceremonies are held, as well as military parades, and the laying of a wreath at the Tomb of the Unknown Soldier, inside the Altare della Patria in Rome.

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The Altare della Patria (Altar of the Fatherland), also known as the Monumento Nazionale a Vittorio Emanuele II (National Monument to Victor Emmanuel II) or Il Vittoriano, is a monument built in honor of Victor Emmanuel, the first king of a unified Italy, located in Rome. The monument occupies a site between Piazza Venezia and the Capitoline Hill.

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Republic Day is a federal holiday in Italy and organizations and businesses that close include government offices, post offices, banks, schools and other educational institutions.

 

 

 

Un concerto in Fiesole

On a recent beautiful weekend, I had the chance to visit Villa Salviati, a gorgeous locale in the hills outside of Florence.  Singers from a Florentine operatic school performed in the main building’s cortile.  It was so beautiful and here’s a sample.

 

 

 

Villa Salviati

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Villa Salviati is home to the Historical Archives of the European Union, a unique resource for researchers at the EUI and far beyond.

By housing the European Union archives, the long international tradition of this villa is continued. Over the centuries this villa had Italian, French, Swedish and American owners.

The estate has naturally strong ties to Florence as well, as the original owners, the Salviati family, wealthy wool merchants and bankers, were in the 15th century closely connected to the Medici that held great power and influence in the city.

The Salviati family’s fortune grew and they went on to add grottos to the site which still stand today. The grottos are made up of frescoes and elaborate stonework that hark back to an era of affluence.

https://www.eui.eu/ServicesAndAdmin/LogisticsService/EUICampus/VillaSalviati

Can you imagine: art history taught without art images!!

It is hard now to imagine a world in which reproductions of paintings were scarce ([Charles Eliot] Norton taught his art history classes [at Harvard] without them) and in which cities rarely had public collections of paintings (those that did exist contained almost no original Italian works).

Americans, for the vast majority of whom travel to Europe was prohibitively time-consuming and expensive, got their first introductions to Italian art by reading.

Berenson would aspire to follow Charles Eliot Norton in being, not only a lover of art and a bibliophile, but a friend of writers and a literary man.

Norton was close to John Ruskin, one of the English writers most responsible for the new view of Italian art that emerged among certain writers in the mid-nineteenth century.

Rachel,Cohen. Bernard Berenson (Jewish Lives) (p. 42). Yale University Press. Kindle Edition.

 

The kind of life I have always longed for

Mary Berenson later wrote about the strong draw Bernard Berenson had for her early on: she said his letters “made me feel I was taking part in the kind of life I longed for; free, devoted to beauty, fortified by study and leading to endless spiritual and aesthetic adventures.”

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Bernard Berenson at twenty-one and seventy-one. Biblioteca Berenson, Villa I Tatti—The Harvard University Center for Italian Renaissance Studies, courtesy of the President and Fellows of Harvard College.

Source: Rachel,Cohen. Bernard Berenson (Jewish Lives) (pp. 8-9). Yale University Press. Kindle Edition.

It’s 8 a.m., do you know where your fruits are?

Or, at least where they’ve been?

One of the thousands of things I love about living in Italy is how seriously they take their food.  I have seen conversations in restaurants between customers and waitstaff about where the salami originated before the customer orders.  It is endlessly entertaining to me.

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But, with every bit of packaged fruit that you buy here, you get a little tag like the one above, telling you where the fruit originated and other info. The variety of nectarine that I purchased this morning, I learn from this tag, is a variety called “Big Bang” in English.  (English is taking an evermore firm stand in Italy, which is both good and bad news.)

And best of all, the tag tells me the nectarines were grown in Italy.  Sometimes the tag even tells you what province in Italy.  I sometimes see foods like these originating in Spain (esp. for oranges) and even Egypt and Turkey.  Fun to think about.

Villa Salviati

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A couple of weekends ago, I had the pleasure of visiting a famous villa in Fiesole, the Villa Saliviati.

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Of course the villa has its own (gorgeous) chapel; here is a detail of the ceiling:

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And the villa also has a grotto:

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There is a lot of interesting interior detailing:

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So, now you’ve seen my pictures, let’s get some info from Wiki on the Villa:
From Wikipedia, the free encyclopedia.

History [ edit | wikitesto change ]

In the 14th century, the castle of the Montegonzi was built on this property land already belonged to the Del Palagio. In 1445, Arcangelo Montegonzi sold it to Alamanno Salviati , the man who introduced the cultivation of salamanna and jasmine grapesin Tuscany.

 

Alamanno commissioned Mielcozzian workers to reduce the castle to a villa, with a garden and woods . In 1490, the nephews of Alamanno, dividing their uncle’s assets, and gave the villa to Jacopo, who was related to Lorenzo de ‘Medici.

 

In 1493, new, considerable renovations were undertaken, to which perhaps Giuliano da Sangallo took part and which lasted about a decade.

 

Giovan Francesco Rustici also took part in the works. Between 1522 and 1526 he created for the villa a series of terracotta roundels with mythological subjects (such as Apollo and Marsyas or Jupiter and Bellerophon ).

Today the Villa’s  Limonaia is the the headquarters of the Historical Archives of the European Union.

In 1529, the house was sacked by the anti-cult faction and between 1568 and 1583 Alamanno di Jacopo Salviati and his son Jacopo further enlarged and embellished the villa, with the gardens ( 15701579 ) and the buildings that border the northern border and create a scenic backdrop connected to the villa.

New Year’s eve, 1638, was an event to remember. That evening, in this villa, the severed head of the lover of Caterina Canacci, was brought to the villa, hidden under the linen that the wife of Salviati, Veronica Cybo, sent him weekly.

The villa then passed to the AldobrandiniBorghese and on December 30th 1844 it was bought “with a closed gate” (ie with all the furnishings) from the Englishman Arturo Vansittard.

Then came the tenor Giovanni Matteo De Candia aka Mario, who lived there with his wife, the soprano Giulia Grisi , the Swedish banker Gustave Hagerman and finally, in 1901, the Turri.

The grotto: 

During the WWII, the grotto was used as the post of an allied command: Lensi Orlandi recounted the memory of nocturnal visits of “kind and rich Florentine, often mature matrons”, who “crossed the threshold of those rooms to give honor to the admired winners” [2 ] .

There followed a long semi-abandonment, in which the villa was not accessible even to scholars (he visited Lensi-Orlandi in 1950, but could not Harold Acton in 1973 ).

In 2000 the monumental complex, together with its gardens, was purchased by the Italian Government to be destined for the European University Institute , which made it the seat of the Historical Archives of the European Union ; one can mention, among the various documents contained in them, the personal papers of the founding fathers, such as Alcide De Gasperi , Paul-Henri Spaak , Altiero Spinelli and Ernesto Rossi .

The end of the renovations took place in October 2009 and on December 17, 2009 the President of the Republic Giorgio Napolitanoinaugurated the Historical Archives of the European Union .

This villa was in communication with Villa Emilia (which was higher up) – which in ancient times was a convent of Cistercian nuns suppressed in 1453 – through an underground gallery : hence the other name with which the villa is known, “del Ponte at the Badia “.

Architecture [ edit | wikitesto change ]

The courtyard

The main body of the villa reveals its military origins, especially in the two crenellated turrets, in the corner, and in the crowning with the walkway on corbels , very similar, for example, to that of the villa of Careggi . It is made up of two adjacent buildings, but with similar architectural features: the east one is more massive and tall, the west one is of smaller volume and height.

The building is arranged around the central courtyard, portico on three sides with columns in pietra serena with Corinthian capitals ;the entablature towards the inside is decorated with graffito friezes, with the rounds of the Rustici inserted into this strip in correspondence with the round arches.

The interiors are often covered by vaulted , barrel and cross vaults .

Gardens [ edit | wikitesto change ]

The gardens

You get to the south facing of the villa through a long cypress avenue that once led to the Via Faentina and that after the construction of the railway was modified, creating a passage on it.

The Italian garden , in front of the villa, is built on three terraces at different levels and, although it is being restored, it is made up of geometric flower beds in boxwood with flowery essences. The property is then surrounded by a large English park , where there are, among other things, a bamboo grove, two ponds and, scattered here and there, various items of furniture, such as statues, temples, caves, fountains, pavilions and more.

Villa Salviati , or villa of the Ponte alla Badia , is located along the homonymous street near via Bolognese in Florence , [1]