
An unfortunately forgotten Italian world

Bella Firenze, da sopra
Style! 1951
Della Oake is wearing organdy blouse with voluminous sleeves and long slim satin skirt by Schiaparelli, 1951.

Which side are you?

Every woman has a Marilyn side. At times Monroe. At times Manson.
Edward Hopper: record setting sale for “Chop Suey”
How Florence (Florentia) looked in 1472

Map by Piero del Massaio, showing Firenze in 1472.
I finally go to the insane asylum
It finally happened. I snapped, and needed to get to the asylum asap!

Actually, I’m kidding. But for a while yesterday I thought I might lose my marbles. I was joining a very sophisticated Florentine educational institution for a guided tour of the old grounds of Florence’s historic psychiatric hospital and it seemed as if fate was against my plan. (Maybe she thought they would keep me if I got there?). It took 2 buses and a taxi to get me to a place I could have walked to easier and faster. I made it just in time to join the tour. Live and learn; next time I’ll walk.
So, the place: as you can see in the plaque above, I was about to enter the Manicomio di Firenze, ospedale psichiatrico. Founded by Vincenzo Chiarugi, the psychiatric hospital was opened in 1890 (an earlier hospital was on Via San Gallo).
Almost 100 years later, in 1968, this hospital located on Via di San Salvi #12, was shuttered. The city has been attempting to refill the site with various cultural and non-profit organisations ever since. It would be a shame not to use this large campus, composed of 32 hectares and housed in 20 buildings, for something. It is prime property on the outer eastern edge of the city. You can find it with the big red pin below:

Below is a map of the San Salvi grounds, showing how the buildings are laid out and a key to how they are/will be used:



Here’s how the guided tour was advertised to an erudite audience:
“Come with us to walk along the tree-lined avenues of (hospital) San Salvi, a unique place immersed in the city and at the same time quite isolated. Here, in what was once a very active psychiatric hospital– the “crazy” poet Dino Campana was here for a while–as well as important and respected people involved with the field of psychiatry. Today – among the various cultural associations that have a home here – La Tinaia cooperative and the Chille della Balanza theatrical group make it a social and artistic destination, thanks to shows, events and meetings.”
Yesterday was a beautiful fall day in Florence, following a week of continual rain, and we viewed the campus in this amazing autumn sunlight:


Two well-known Italian photographers, Carla Cerati and Gianni Berengo Gardin, documented, in chilling photographs, the story of San Salvi and its inmates, with “harsh images of women and men prisoners, jailed, bound, punished, humiliated, reduced to suffering and need.” If you Google Manicomio Firenze, you can find vintage photographs of the hospital and the patients. It was gruesome.
As I was leaving the campus, this old rusted iron gate seemed to sum up the history of the place for me. The key hole especially records the memory of patients locked in.

Fashion in the 1950s
The Neptune Fountain in Florence is disassembled for restoration
Nine bronze statues, depicting nymphs, fauns and satyrs, were removed with a crane and taken to a workshop in via Livorno, where they will be restored by Ires e Nicola Salvioli Restauri. Work on the fountain began in February 2017, using funds donated by the Salvatore Ferragamo fashion house, which is providing 1.5 million euro throughout the project. The bronze statues will be restored not only on the outside but on the inside as well, which has deteriorated substantially due to water and atmospheric agents.
In 1559, Cosimo I de’ Medici held a competition for the creation of the city’s first public fountain, with Bartolomeo Ammannati and his Neptune design eventually taking the prize, judged the best for its clear exaltation of the Grand Duchy of Tuscany’s glorious seafaring achievements. The sculpture was completed in 1565 and inaugurated for the wedding of Francesco I de’ Medici and the Grand Duchess Giovanna d’Austria on December 10 of that year. Close observers might notice that Ammannati used Cosimo I’s features to depict the strapping Neptune rising above the other figures.
http://www.theflorentine.net/news/2018/11/restoration-continues-neptune-fountain/
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